Antoine Gregory

Oh my goodness.

Oh my goodness.

Oh my goodness.

I mean, that's Diana Ross for me, immediately.

I mean, that's Diana Ross for me, immediately.

I mean, that's Diana Ross for me, immediately.

I would say Janelle Monae because she came in the Tom Brown, the box. Paul Taswell was a part of that. Yeah. And it was really cute. I actually really, really enjoyed that. I loved that.

I would say Janelle Monae because she came in the Tom Brown, the box. Paul Taswell was a part of that. Yeah. And it was really cute. I actually really, really enjoyed that. I loved that.

I would say Janelle Monae because she came in the Tom Brown, the box. Paul Taswell was a part of that. Yeah. And it was really cute. I actually really, really enjoyed that. I loved that.

I think for me, it's definitely the objects. I think I was so moved by some of the paintings of Black people who showed up in these incredible ways that we didn't typically see. And I think we are so used to seeing images of ourselves that are not beautiful, that are not intentional.

I think for me, it's definitely the objects. I think I was so moved by some of the paintings of Black people who showed up in these incredible ways that we didn't typically see. And I think we are so used to seeing images of ourselves that are not beautiful, that are not intentional.

I think for me, it's definitely the objects. I think I was so moved by some of the paintings of Black people who showed up in these incredible ways that we didn't typically see. And I think we are so used to seeing images of ourselves that are not beautiful, that are not intentional.

And I think for someone to have sat for a 19th century painting, there's nothing more intentional than sitting in front of a painter for hours on end to get this really incredible image of yourself, how you see yourself. So I think the objects within the exhibition are something that I'm definitely going to stick with. One of my favorite things from the exhibition was like,

And I think for someone to have sat for a 19th century painting, there's nothing more intentional than sitting in front of a painter for hours on end to get this really incredible image of yourself, how you see yourself. So I think the objects within the exhibition are something that I'm definitely going to stick with. One of my favorite things from the exhibition was like,

And I think for someone to have sat for a 19th century painting, there's nothing more intentional than sitting in front of a painter for hours on end to get this really incredible image of yourself, how you see yourself. So I think the objects within the exhibition are something that I'm definitely going to stick with. One of my favorite things from the exhibition was like,

No, absolutely. Thanks for having us. Thank you for having us again.

No, absolutely. Thanks for having us. Thank you for having us again.

No, absolutely. Thanks for having us. Thank you for having us again.

Yes.

Yes.