On Tara June Winch's The Yield, Tony Birch's The White Girl and Julia Phillips' Disappearing Earth
And I sort of, after having read The Chain, it's as if Sean Duffy is the little independent movies that Adrian's been making to critical acclaim, and now all of a sudden he's written the blockbuster.
On Graham Norton's A Keeper, R.O. Kwon's The Incendiaries and Georgina Harding's Land of the Living with David Hunt, Aoife Clifford and Anne Summers
the young women in our 20s looking for guidance, I guess, and looking for other lives that might have relevance to the lives that we were trying to create for ourselves.
On Graham Norton's A Keeper, R.O. Kwon's The Incendiaries and Georgina Harding's Land of the Living with David Hunt, Aoife Clifford and Anne Summers
where this young woman called Martha Quest, who was the creation of Doris Lessing, and there's a series called The Children of Violence, which I think from memory is four or five books, about Martha Quest's growing up, becoming very politicised, marrying, having children, getting divorced, her whole life cycle.
On Graham Norton's A Keeper, R.O. Kwon's The Incendiaries and Georgina Harding's Land of the Living with David Hunt, Aoife Clifford and Anne Summers
is because they mirrored the kinds of struggles, both political and personal struggles, that we were having in our own lives, even though it was a very different country and a very different sensibility.
On Graham Norton's A Keeper, R.O. Kwon's The Incendiaries and Georgina Harding's Land of the Living with David Hunt, Aoife Clifford and Anne Summers
bible the fictional feminist bible of the era because it depicted the lives of four women who were having the kinds of struggles with men with work with life with kids with their love lives not perfectly mirrored our own but which but which we could relate to because they were close enough