Ariana Grande

And you have to kind of realize... Nerves are great. It means you care so much and that your ego can be left far, far, far behind in a faraway land so that you can do beautiful work and so that you know you care.

You're acknowledging this and using those nerves as positive carbonation for the performance and also being able to put a little flashlight on your little fears or monsters in your head and say like, hi, thank you for protecting me. They're totally valid, your fears of, you know, the ways in which this might, you know, could possibly whatever. Thank you for caring the way that you do.

You're acknowledging this and using those nerves as positive carbonation for the performance and also being able to put a little flashlight on your little fears or monsters in your head and say like, hi, thank you for protecting me. They're totally valid, your fears of, you know, the ways in which this might, you know, could possibly whatever. Thank you for caring the way that you do.

You're acknowledging this and using those nerves as positive carbonation for the performance and also being able to put a little flashlight on your little fears or monsters in your head and say like, hi, thank you for protecting me. They're totally valid, your fears of, you know, the ways in which this might, you know, could possibly whatever. Thank you for caring the way that you do.

However, I have work to do. It would be beautiful if you could please step outside and get me a coffee, maybe come back later. You know, you're totally going to come back later.

However, I have work to do. It would be beautiful if you could please step outside and get me a coffee, maybe come back later. You know, you're totally going to come back later.

However, I have work to do. It would be beautiful if you could please step outside and get me a coffee, maybe come back later. You know, you're totally going to come back later.

I know that.

I know that.

I know that.

So thank you for stepping away for a little. Right. Because I have to get to know Glinda for now. And I have to do this work. I have to give myself over to this person for a little bit. And then I'll get to know her monsters in the meantime so that she can have real monsters in her head and those can be present. And it's just kind of learning how to do that dance. It's all a mental dance.

So thank you for stepping away for a little. Right. Because I have to get to know Glinda for now. And I have to do this work. I have to give myself over to this person for a little bit. And then I'll get to know her monsters in the meantime so that she can have real monsters in her head and those can be present. And it's just kind of learning how to do that dance. It's all a mental dance.

So thank you for stepping away for a little. Right. Because I have to get to know Glinda for now. And I have to do this work. I have to give myself over to this person for a little bit. And then I'll get to know her monsters in the meantime so that she can have real monsters in her head and those can be present. And it's just kind of learning how to do that dance. It's all a mental dance.

So it's important to learn how to navigate those guys and be able to embrace and also keep them where they're supposed to be.

So it's important to learn how to navigate those guys and be able to embrace and also keep them where they're supposed to be.

So it's important to learn how to navigate those guys and be able to embrace and also keep them where they're supposed to be.

I was born and raised in Florida, and then I moved to New York to do 13, the musical on Broadway, written by Jason Robert Brown and Robert Horn. And I was in that show for quite some time. I did the reading, and then I did the out-of-town run in Connecticut, Goodspeed Theater. And then came to Broadway with the show. And then after that, went to L.A. for my callback for Victorious.

I was born and raised in Florida, and then I moved to New York to do 13, the musical on Broadway, written by Jason Robert Brown and Robert Horn. And I was in that show for quite some time. I did the reading, and then I did the out-of-town run in Connecticut, Goodspeed Theater. And then came to Broadway with the show. And then after that, went to L.A. for my callback for Victorious.

I was born and raised in Florida, and then I moved to New York to do 13, the musical on Broadway, written by Jason Robert Brown and Robert Horn. And I was in that show for quite some time. I did the reading, and then I did the out-of-town run in Connecticut, Goodspeed Theater. And then came to Broadway with the show. And then after that, went to L.A. for my callback for Victorious.

And then I've been kind of an L.A., New York person ever since then.