Arlo Parks

I just feel like with this specific song, he was really able to understand the nuance of flip-flopping between being able to forgive yourself and then feeling extreme guilt over things that you feel like you'll never forgive yourself about.

Yeah, exactly.

I love that.

Harpsichord, yeah, that's a perfect description.

Lots of very fine elements working together to produce something that does have a lot of body, though.

There's a lot of weight to his voice.

Yeah, he really is.

He's also just such a gentle, humble man.

Like, I think he really has changed music with his sensibility and he really has no idea in the best way.

He's just wonderful.

Yeah.

What does it mean?

I mean, it's from Baz Luhrmann's Romeo and Juliet when she's looking through, like watching like Claire Danes through the water.

So when she's looking through the aquarium at Romeo, it's referencing that moment.

That's so good.

Yeah.

Yeah.

There's something about it that, I don't know, I think the reference kind of really places it.

It makes it feel lived in.

And I've always loved that in my favorite songwriters when I think about, you know, a song like Alameda by Elliot Smith and even that.