Aubrey Marcus

It's playing in a particular harmonic based upon the size and length of the didgeridoo and the shape of my mouth, etc., But these live instruments that you're playing, you know, the harmonics that are created from those feel to be like beneficial, helpful, true. And is that fair to say?

It's playing in a particular harmonic based upon the size and length of the didgeridoo and the shape of my mouth, etc., But these live instruments that you're playing, you know, the harmonics that are created from those feel to be like beneficial, helpful, true. And is that fair to say?

Yeah.

Yeah.

Yeah.

Right.

Right.

Right.

So let's give people some things. It's been such a beautiful conversation going, but let's give people some practical things that they can do because there's ways that you can hum, chant, et cetera. Yes, that's a great idea. You started with aum. So I know you can go deep.

So let's give people some things. It's been such a beautiful conversation going, but let's give people some practical things that they can do because there's ways that you can hum, chant, et cetera. Yes, that's a great idea. You started with aum. So I know you can go deep.

So let's give people some things. It's been such a beautiful conversation going, but let's give people some practical things that they can do because there's ways that you can hum, chant, et cetera. Yes, that's a great idea. You started with aum. So I know you can go deep.

We could probably talk for an hour about aum and what that means and the vowels and the consonants and how that shapes reality and everything. But maybe touch on that briefly, but then that's one way that we can actually get back into resonance, that particular type of chant. So why is that one important? Why is it important that it's Aum, not Om?

We could probably talk for an hour about aum and what that means and the vowels and the consonants and how that shapes reality and everything. But maybe touch on that briefly, but then that's one way that we can actually get back into resonance, that particular type of chant. So why is that one important? Why is it important that it's Aum, not Om?

We could probably talk for an hour about aum and what that means and the vowels and the consonants and how that shapes reality and everything. But maybe touch on that briefly, but then that's one way that we can actually get back into resonance, that particular type of chant. So why is that one important? Why is it important that it's Aum, not Om?

Let me see if I can do this. I have a very difficult time actually matching any tones, but I can create a tone, but I can't have a difficult... Okay, so I'm going to go through all the vowels and try and keep the same tone.

Let me see if I can do this. I have a very difficult time actually matching any tones, but I can create a tone, but I can't have a difficult... Okay, so I'm going to go through all the vowels and try and keep the same tone.

Let me see if I can do this. I have a very difficult time actually matching any tones, but I can create a tone, but I can't have a difficult... Okay, so I'm going to go through all the vowels and try and keep the same tone.

Yeah, I think for me, it's just the comfortability to find what is my natural tone.

Yeah, I think for me, it's just the comfortability to find what is my natural tone.

Yeah, I think for me, it's just the comfortability to find what is my natural tone.