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Audra McDonald

👤 Person
123 total appearances

Appearances Over Time

Podcast Appearances

The New Yorker Radio Hour
Audra McDonald on Stephen Sondheim, “Gypsy,” and Being Black on Broadway

She was there at the same time as well and other really wonderful people. But I was stuck. I was watching them do this and I wasn't. And here I was in New York at Juilliard practicing. My address was literally Broadway. And I had never felt so far away from my goal, which was Broadway. So I left school. I like to joke that I did the four-year program in five years.

The New Yorker Radio Hour
Audra McDonald on Stephen Sondheim, “Gypsy,” and Being Black on Broadway

She was there at the same time as well and other really wonderful people. But I was stuck. I was watching them do this and I wasn't. And here I was in New York at Juilliard practicing. My address was literally Broadway. And I had never felt so far away from my goal, which was Broadway. So I left school. I like to joke that I did the four-year program in five years.

The New Yorker Radio Hour
Audra McDonald on Stephen Sondheim, “Gypsy,” and Being Black on Broadway

She was there at the same time as well and other really wonderful people. But I was stuck. I was watching them do this and I wasn't. And here I was in New York at Juilliard practicing. My address was literally Broadway. And I had never felt so far away from my goal, which was Broadway. So I left school. I like to joke that I did the four-year program in five years.

The New Yorker Radio Hour
Audra McDonald on Stephen Sondheim, “Gypsy,” and Being Black on Broadway

And I left Juilliard for a little while because I just couldn't handle it anymore. And one of the things I ended up doing while I was taking some time off was I auditioned for things and I got into the touring company of the Secret Garden. And so I went on the road with that. And then I came back and did the last two months of Secret Garden on Broadway and finished school at the same time.

The New Yorker Radio Hour
Audra McDonald on Stephen Sondheim, “Gypsy,” and Being Black on Broadway

And I left Juilliard for a little while because I just couldn't handle it anymore. And one of the things I ended up doing while I was taking some time off was I auditioned for things and I got into the touring company of the Secret Garden. And so I went on the road with that. And then I came back and did the last two months of Secret Garden on Broadway and finished school at the same time.

The New Yorker Radio Hour
Audra McDonald on Stephen Sondheim, “Gypsy,” and Being Black on Broadway

And I left Juilliard for a little while because I just couldn't handle it anymore. And one of the things I ended up doing while I was taking some time off was I auditioned for things and I got into the touring company of the Secret Garden. And so I went on the road with that. And then I came back and did the last two months of Secret Garden on Broadway and finished school at the same time.

The New Yorker Radio Hour
Audra McDonald on Stephen Sondheim, “Gypsy,” and Being Black on Broadway

And then from that, I went back out on the road and I got an agent and my agent said, we've got this audition for you for Carousel.

The New Yorker Radio Hour
Audra McDonald on Stephen Sondheim, “Gypsy,” and Being Black on Broadway

And then from that, I went back out on the road and I got an agent and my agent said, we've got this audition for you for Carousel.

The New Yorker Radio Hour
Audra McDonald on Stephen Sondheim, “Gypsy,” and Being Black on Broadway

And then from that, I went back out on the road and I got an agent and my agent said, we've got this audition for you for Carousel.

The New Yorker Radio Hour
Audra McDonald on Stephen Sondheim, “Gypsy,” and Being Black on Broadway

I marry Mr. Snow Then it's off to home we'll go And both of us will look a little dreamy Roger McDonald singing a bit from Carousel, and she's talking with The New Yorker's Michael Shulman.

The New Yorker Radio Hour
Audra McDonald on Stephen Sondheim, “Gypsy,” and Being Black on Broadway

I marry Mr. Snow Then it's off to home we'll go And both of us will look a little dreamy Roger McDonald singing a bit from Carousel, and she's talking with The New Yorker's Michael Shulman.

The New Yorker Radio Hour
Audra McDonald on Stephen Sondheim, “Gypsy,” and Being Black on Broadway

I marry Mr. Snow Then it's off to home we'll go And both of us will look a little dreamy Roger McDonald singing a bit from Carousel, and she's talking with The New Yorker's Michael Shulman.

The New Yorker Radio Hour
Audra McDonald on Stephen Sondheim, “Gypsy,” and Being Black on Broadway

It breezes below

The New Yorker Radio Hour
Audra McDonald on Stephen Sondheim, “Gypsy,” and Being Black on Broadway

It breezes below

The New Yorker Radio Hour
Audra McDonald on Stephen Sondheim, “Gypsy,” and Being Black on Broadway

It breezes below

The New Yorker Radio Hour
Audra McDonald on Stephen Sondheim, “Gypsy,” and Being Black on Broadway

I wasn't even thinking leading lady. I was, you know, a little black girl from Fresno, nine years old, in this dinner theater. Got to be Uncle Jocko's kitty. I was, you know, a kid in the ensemble of Hello, Dolly! I, you know, I ended up, they cast me when I was 16 to play Eva Peron and Evita at the local dinner theater.

The New Yorker Radio Hour
Audra McDonald on Stephen Sondheim, “Gypsy,” and Being Black on Broadway

I wasn't even thinking leading lady. I was, you know, a little black girl from Fresno, nine years old, in this dinner theater. Got to be Uncle Jocko's kitty. I was, you know, a kid in the ensemble of Hello, Dolly! I, you know, I ended up, they cast me when I was 16 to play Eva Peron and Evita at the local dinner theater.

The New Yorker Radio Hour
Audra McDonald on Stephen Sondheim, “Gypsy,” and Being Black on Broadway

I wasn't even thinking leading lady. I was, you know, a little black girl from Fresno, nine years old, in this dinner theater. Got to be Uncle Jocko's kitty. I was, you know, a kid in the ensemble of Hello, Dolly! I, you know, I ended up, they cast me when I was 16 to play Eva Peron and Evita at the local dinner theater.

The New Yorker Radio Hour
Audra McDonald on Stephen Sondheim, “Gypsy,” and Being Black on Broadway

Which was a big scandal because they double cast the role and the other woman was a 23 or 24 year old white woman. And so this is Fresno land of like Devin Nunes.

The New Yorker Radio Hour
Audra McDonald on Stephen Sondheim, “Gypsy,” and Being Black on Broadway

Which was a big scandal because they double cast the role and the other woman was a 23 or 24 year old white woman. And so this is Fresno land of like Devin Nunes.