Bart Sibrel

So he didn't want to contradict the computer program that Eugene Krantz said was fooling all the people during a simulation. And we see this little blue Earth with allegedly space all around it. He explains to the audience there's only one window that faces the Earth and it's filled up with the TV camera, meaning to shoot the tiny Earth with black around it, you'd have to have the lens...

right at the glass of the camera. I mean, the lens of the camera right at the glass of the window. So if you want to play the footage, we have this little blue earth that's allegedly them... Now, if you want to hit pause... This is supposed to be the Earth floating in space with the lens of the camera up against the window, and this proves that they're really far away from the Earth.

right at the glass of the camera. I mean, the lens of the camera right at the glass of the window. So if you want to play the footage, we have this little blue earth that's allegedly them... Now, if you want to hit pause... This is supposed to be the Earth floating in space with the lens of the camera up against the window, and this proves that they're really far away from the Earth.

right at the glass of the camera. I mean, the lens of the camera right at the glass of the window. So if you want to play the footage, we have this little blue earth that's allegedly them... Now, if you want to hit pause... This is supposed to be the Earth floating in space with the lens of the camera up against the window, and this proves that they're really far away from the Earth.

We have the unedited version where the lights come up and you discover the camera is really at the back of the spacecraft. They've turned out all the lights and this is a circular window outside of which it's filled with the Earth and Earth orbit. But it looks like the Earth floating in space. This is really the window of the spacecraft with the Earth outside of it from Earth orbit.

We have the unedited version where the lights come up and you discover the camera is really at the back of the spacecraft. They've turned out all the lights and this is a circular window outside of which it's filled with the Earth and Earth orbit. But it looks like the Earth floating in space. This is really the window of the spacecraft with the Earth outside of it from Earth orbit.

We have the unedited version where the lights come up and you discover the camera is really at the back of the spacecraft. They've turned out all the lights and this is a circular window outside of which it's filled with the Earth and Earth orbit. But it looks like the Earth floating in space. This is really the window of the spacecraft with the Earth outside of it from Earth orbit.

The lights come up and you see they just lied about being halfway to the moon. And in addition to this, if you want to run it back a few seconds, not only do we have them faking this shot, we're going to want to hear this audio. We hear at the very beginning of the tape, NASA says, hey, the TV picture looks great. They didn't even get it themselves. It was screened somewhere else.

The lights come up and you see they just lied about being halfway to the moon. And in addition to this, if you want to run it back a few seconds, not only do we have them faking this shot, we're going to want to hear this audio. We hear at the very beginning of the tape, NASA says, hey, the TV picture looks great. They didn't even get it themselves. It was screened somewhere else.

The lights come up and you see they just lied about being halfway to the moon. And in addition to this, if you want to run it back a few seconds, not only do we have them faking this shot, we're going to want to hear this audio. We hear at the very beginning of the tape, NASA says, hey, the TV picture looks great. They didn't even get it themselves. It was screened somewhere else.

But they said, we hear the TV picture looks great. Then there's dead air for one second, dead air for two seconds, dead air for three seconds, dead air for four seconds. And then a third party, not NASA, not the astronaut, says, talk. It's the CIA telling them don't speak until we tell you to to create a fake four-second radio delay. That's on the tape, too.

But they said, we hear the TV picture looks great. Then there's dead air for one second, dead air for two seconds, dead air for three seconds, dead air for four seconds. And then a third party, not NASA, not the astronaut, says, talk. It's the CIA telling them don't speak until we tell you to to create a fake four-second radio delay. That's on the tape, too.

But they said, we hear the TV picture looks great. Then there's dead air for one second, dead air for two seconds, dead air for three seconds, dead air for four seconds. And then a third party, not NASA, not the astronaut, says, talk. It's the CIA telling them don't speak until we tell you to to create a fake four-second radio delay. That's on the tape, too.

Go ahead and play it so that Mac can hear the audio.

Go ahead and play it so that Mac can hear the audio.

Go ahead and play it so that Mac can hear the audio.

So, yeah, if you play it even further back from the beginning, you hear NASA speak four seconds of dead air and then talk. You see? He's being told how to fake a four-second radio delay because he's really in Earth orbit, only 250 miles above the Earth, so the conversation would be instantaneous back and forth. So they figured about two seconds to go out, two seconds to come back.

So, yeah, if you play it even further back from the beginning, you hear NASA speak four seconds of dead air and then talk. You see? He's being told how to fake a four-second radio delay because he's really in Earth orbit, only 250 miles above the Earth, so the conversation would be instantaneous back and forth. So they figured about two seconds to go out, two seconds to come back.

So, yeah, if you play it even further back from the beginning, you hear NASA speak four seconds of dead air and then talk. You see? He's being told how to fake a four-second radio delay because he's really in Earth orbit, only 250 miles above the Earth, so the conversation would be instantaneous back and forth. So they figured about two seconds to go out, two seconds to come back.

The CIA had a stopwatch. He had an earpiece in. He hears NASA, but he don't answer right away. One, two, three, four, talk. And I'm like, whoa, whoa, whoa, what's this? And then I start looking at it because this is unedited. They only aired about maybe 10 to 20 seconds of it. I have an hour of them trying to get this shot right.