Becca Anderson

We tried to stop it, and I was pregnant with Dylan, and they brought us into depositions, and Tommy would pace the hallway, but they were talking to me and trying to really, you know, hammer me down. They had nude pictures of me from Playboy. They said I had no right to privacy, that I was owned by the world, that nothing could ever ruin my career because I was a, you know, not worth anything.

We tried to stop it, and I was pregnant with Dylan, and they brought us into depositions, and Tommy would pace the hallway, but they were talking to me and trying to really, you know, hammer me down. They had nude pictures of me from Playboy. They said I had no right to privacy, that I was owned by the world, that nothing could ever ruin my career because I was a, you know, not worth anything.

And it was so hard. And after a few days of these depositions, Tommy just looked at me and said, we're done here. We're not going to put our child at risk. And I agreed. And we just walked out there and we said, just They'll deal with karma. We don't want a dime. We don't want any of this dirty money. I won't say what he said to them, but I agreed. We walked out of there. We couldn't do it.

And it was so hard. And after a few days of these depositions, Tommy just looked at me and said, we're done here. We're not going to put our child at risk. And I agreed. And we just walked out there and we said, just They'll deal with karma. We don't want a dime. We don't want any of this dirty money. I won't say what he said to them, but I agreed. We walked out of there. We couldn't do it.

And it was so hard. And after a few days of these depositions, Tommy just looked at me and said, we're done here. We're not going to put our child at risk. And I agreed. And we just walked out there and we said, just They'll deal with karma. We don't want a dime. We don't want any of this dirty money. I won't say what he said to them, but I agreed. We walked out of there. We couldn't do it.

You know, I hate to throw him under the bus because he really was wonderful in so many ways. And I know he genuinely cared about me. But he wasn't really a theatrical agent. And I think he was always thinking money first and didn't know if I was interested in doing a film like this.

You know, I hate to throw him under the bus because he really was wonderful in so many ways. And I know he genuinely cared about me. But he wasn't really a theatrical agent. And I think he was always thinking money first and didn't know if I was interested in doing a film like this.

You know, I hate to throw him under the bus because he really was wonderful in so many ways. And I know he genuinely cared about me. But he wasn't really a theatrical agent. And I think he was always thinking money first and didn't know if I was interested in doing a film like this.

But I remember having a conversation with him not too long after and just saying, if you don't believe in me as an actress, I'm going to have to move on. And nobody would take me until they saw The Last Showgirl. So you have to do something first. And that's the hard part about this business is people always think you have a formula.

But I remember having a conversation with him not too long after and just saying, if you don't believe in me as an actress, I'm going to have to move on. And nobody would take me until they saw The Last Showgirl. So you have to do something first. And that's the hard part about this business is people always think you have a formula.

But I remember having a conversation with him not too long after and just saying, if you don't believe in me as an actress, I'm going to have to move on. And nobody would take me until they saw The Last Showgirl. So you have to do something first. And that's the hard part about this business is people always think you have a formula.

You can just get an agent, get a publicist, get an assistant and start reading scripts and work with Meryl Streep. But that's not how it works. A lot of it has to do with the stars aligning and somebody seeing you, if it's Jamie Lee Curtis or Gia Coppola in my case. Or a loving son.

You can just get an agent, get a publicist, get an assistant and start reading scripts and work with Meryl Streep. But that's not how it works. A lot of it has to do with the stars aligning and somebody seeing you, if it's Jamie Lee Curtis or Gia Coppola in my case. Or a loving son.

You can just get an agent, get a publicist, get an assistant and start reading scripts and work with Meryl Streep. But that's not how it works. A lot of it has to do with the stars aligning and somebody seeing you, if it's Jamie Lee Curtis or Gia Coppola in my case. Or a loving son.

well, my loving son, of course, but also open up to it and reveal yourself to the world so people can maybe think of you for things and lose the armor and the protection.

well, my loving son, of course, but also open up to it and reveal yourself to the world so people can maybe think of you for things and lose the armor and the protection.

well, my loving son, of course, but also open up to it and reveal yourself to the world so people can maybe think of you for things and lose the armor and the protection.

Well, everything is spontaneous. It's not calculated. So I was just at Paris Fashion Week and I was wearing this beautiful Vivienne Westwood dress and a big hat. And I thought, why do I have to sit in a makeup chair for three hours? There's only, you know, how many inches of my face is going to show? Are people really going to fall over backwards if I'm not wearing makeup?

Well, everything is spontaneous. It's not calculated. So I was just at Paris Fashion Week and I was wearing this beautiful Vivienne Westwood dress and a big hat. And I thought, why do I have to sit in a makeup chair for three hours? There's only, you know, how many inches of my face is going to show? Are people really going to fall over backwards if I'm not wearing makeup?

Well, everything is spontaneous. It's not calculated. So I was just at Paris Fashion Week and I was wearing this beautiful Vivienne Westwood dress and a big hat. And I thought, why do I have to sit in a makeup chair for three hours? There's only, you know, how many inches of my face is going to show? Are people really going to fall over backwards if I'm not wearing makeup?