Ben Affleck

That's half of one year. Yeah, and it's longer than the production. You're trying to grab everything you can during production. It's more expensive every day to shoot. Editing is, you rent the editing room, the facilities.

That's half of one year. Yeah, and it's longer than the production. You're trying to grab everything you can during production. It's more expensive every day to shoot. Editing is, you rent the editing room, the facilities.

Do they charge more if it's like, you know what I mean? Like if you can get a chicken, they're not endangered. You can kill that shit, just cut his head off. That's $10 for the owl. You can get a tall chicken. Right. No one's going to know the difference. You can take the chicken, break his neck, and he's turned around. You can get a tall, curious chicken. We'll give you that.

Do they charge more if it's like, you know what I mean? Like if you can get a chicken, they're not endangered. You can kill that shit, just cut his head off. That's $10 for the owl. You can get a tall chicken. Right. No one's going to know the difference. You can take the chicken, break his neck, and he's turned around. You can get a tall, curious chicken. We'll give you that.

Do they charge more if it's like, you know what I mean? Like if you can get a chicken, they're not endangered. You can kill that shit, just cut his head off. That's $10 for the owl. You can get a tall chicken. Right. No one's going to know the difference. You can take the chicken, break his neck, and he's turned around. You can get a tall, curious chicken. We'll give you that.

I think maybe that's just like one of those things where it's like, what's the rate for owls? You just get to make it up if you sell owls.

I think maybe that's just like one of those things where it's like, what's the rate for owls? You just get to make it up if you sell owls.

I think maybe that's just like one of those things where it's like, what's the rate for owls? You just get to make it up if you sell owls.

about it. I wouldn't make a movie that I didn't, it'd be like making a movie with you and not getting your humor, right? Like it would just be crazy. Like you, as the director, you got to care more, be more interested in that movie than everybody else. Everyone else is going to be bored of it, right? And you've got to love it the whole time through.

about it. I wouldn't make a movie that I didn't, it'd be like making a movie with you and not getting your humor, right? Like it would just be crazy. Like you, as the director, you got to care more, be more interested in that movie than everybody else. Everyone else is going to be bored of it, right? And you've got to love it the whole time through.

about it. I wouldn't make a movie that I didn't, it'd be like making a movie with you and not getting your humor, right? Like it would just be crazy. Like you, as the director, you got to care more, be more interested in that movie than everybody else. Everyone else is going to be bored of it, right? And you've got to love it the whole time through.

So the big key is like, this is going to be interesting to me. There was a lot of things that were interesting to me about that movie. One was the real story, the CIA agent who had done it, the people that I met and talked to at the CIA, the actual nature of, like, intelligence work versus, you know, what you had seen with a, like, you know, like, super spy shit that's not really realistic.

So the big key is like, this is going to be interesting to me. There was a lot of things that were interesting to me about that movie. One was the real story, the CIA agent who had done it, the people that I met and talked to at the CIA, the actual nature of, like, intelligence work versus, you know, what you had seen with a, like, you know, like, super spy shit that's not really realistic.

So the big key is like, this is going to be interesting to me. There was a lot of things that were interesting to me about that movie. One was the real story, the CIA agent who had done it, the people that I met and talked to at the CIA, the actual nature of, like, intelligence work versus, you know, what you had seen with a, like, you know, like, super spy shit that's not really realistic.

And this story was really interesting to me. And also I thought – it was like the fact that they had this like bizarre connection to Hollywood and the solid would make up artists. And that we try to bridge those two worlds was, was really interesting to me, but it was a scary, challenging movie because the director's main job is tone, right?

And this story was really interesting to me. And also I thought – it was like the fact that they had this like bizarre connection to Hollywood and the solid would make up artists. And that we try to bridge those two worlds was, was really interesting to me, but it was a scary, challenging movie because the director's main job is tone, right?

And this story was really interesting to me. And also I thought – it was like the fact that they had this like bizarre connection to Hollywood and the solid would make up artists. And that we try to bridge those two worlds was, was really interesting to me, but it was a scary, challenging movie because the director's main job is tone, right?

Like that's the main dress that the director is going to really create is like, what's the tone of this? Like, what's the vibe? What's our, is this serious? What are we interested in? Like, what do we consider funny? What do we, you know, all those things.

Like that's the main dress that the director is going to really create is like, what's the tone of this? Like, what's the vibe? What's our, is this serious? What are we interested in? Like, what do we consider funny? What do we, you know, all those things.

Like that's the main dress that the director is going to really create is like, what's the tone of this? Like, what's the vibe? What's our, is this serious? What are we interested in? Like, what do we consider funny? What do we, you know, all those things.