Ben-Nadav Hafri
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Podcast Appearances
Lori Poe's Manteer, one of the TNT executives.
Lori Poe's Manteer, one of the TNT executives.
Meanwhile, they've cast the rest of the film. Joining Diane Cannon would be Hollywood screwball legend Tony Curtis, probably best known for playing opposite Marilyn Monroe in Some Like It Hot. Along with him would be ex-country music star Chris Christopherson. Here's TNT's senior vice president of production at the time, Nick Lombardo.
Meanwhile, they've cast the rest of the film. Joining Diane Cannon would be Hollywood screwball legend Tony Curtis, probably best known for playing opposite Marilyn Monroe in Some Like It Hot. Along with him would be ex-country music star Chris Christopherson. Here's TNT's senior vice president of production at the time, Nick Lombardo.
So armed with one of the all-time weirdest, most stacked casts in the history of film, a comparatively small budget of $3 million, a slot on an upstart cable network, and a script based on a 1940s screwball comedy that's been punched up by two of the writers behind a big 80s blockbuster, an Austrian former bodybuilder, fresh off his repeat performance as a time-traveling cyborg, prepared to direct his first Christmas film.
So armed with one of the all-time weirdest, most stacked casts in the history of film, a comparatively small budget of $3 million, a slot on an upstart cable network, and a script based on a 1940s screwball comedy that's been punched up by two of the writers behind a big 80s blockbuster, an Austrian former bodybuilder, fresh off his repeat performance as a time-traveling cyborg, prepared to direct his first Christmas film.
And everyone was about to find out whether or not he could. Christmas in Connecticut, the remake, began filming about two months before Christmas in Los Angeles.
And everyone was about to find out whether or not he could. Christmas in Connecticut, the remake, began filming about two months before Christmas in Los Angeles.
Because Arnold Schwarzenegger had never before directed a feature film, though let the record show he had directed an episode of the TV show Tales from the Crypt, the production arranged for things to film more or less in the order they happen in the film. There's a lot less to keep track of continuity-wise that way. But this also posed a problem.
Because Arnold Schwarzenegger had never before directed a feature film, though let the record show he had directed an episode of the TV show Tales from the Crypt, the production arranged for things to film more or less in the order they happen in the film. There's a lot less to keep track of continuity-wise that way. But this also posed a problem.
One of the anxieties of adapting a great work of art is figuring out how to make it your own. The 1992 made-for-TV remake of Christmas in Connecticut does this immediately by introducing its male lead, a park ranger named Jefferson Jones, mid-workout routine in his mountain cabin.
One of the anxieties of adapting a great work of art is figuring out how to make it your own. The 1992 made-for-TV remake of Christmas in Connecticut does this immediately by introducing its male lead, a park ranger named Jefferson Jones, mid-workout routine in his mountain cabin.
If you're looking for signs that this is not your grandmother's Christmas in Connecticut, the sight of Chris Christopherson as Jefferson Jones sweating after busting out some chin-ups on a beam in his cabin is your first warning. A man on the television offers some brisk exposition while he cools down.
If you're looking for signs that this is not your grandmother's Christmas in Connecticut, the sight of Chris Christopherson as Jefferson Jones sweating after busting out some chin-ups on a beam in his cabin is your first warning. A man on the television offers some brisk exposition while he cools down.
The phone rings. Another ranger is calling to tell Jones a kid has gotten lost in the blizzard. He has to go out and find him. This is the fabled action sequence Schwarzenegger had requested. They shot the blizzard on a soundstage. It's the moment Jefferson Jones becomes a hero, which is why he gets invited to be a guest of Elizabeth Blaine's for her Christmas special in Connecticut.
The phone rings. Another ranger is calling to tell Jones a kid has gotten lost in the blizzard. He has to go out and find him. This is the fabled action sequence Schwarzenegger had requested. They shot the blizzard on a soundstage. It's the moment Jefferson Jones becomes a hero, which is why he gets invited to be a guest of Elizabeth Blaine's for her Christmas special in Connecticut.
It's got to look epic. It's got to have that Arnold Schwarzenegger feeling. Unfortunately, Terminator, this is not. Here's Jim Wilberger, director of production.
It's got to look epic. It's got to have that Arnold Schwarzenegger feeling. Unfortunately, Terminator, this is not. Here's Jim Wilberger, director of production.
Schwarzenegger wanted Jeopardy, but this kind of looks like a snowball fight gone awry. Jones stumbles over a very small hill holding a child that looks like it might be a mannequin. He's groaning and yelling, but his lips aren't moving. So, tough start.
Schwarzenegger wanted Jeopardy, but this kind of looks like a snowball fight gone awry. Jones stumbles over a very small hill holding a child that looks like it might be a mannequin. He's groaning and yelling, but his lips aren't moving. So, tough start.