Ben Stiller

And, you know, I found working with you, you always gave me a lot of confidence as a director to take a chance. But you didn't have that for yourself, except, you know, every once in a while I'd pop over. But you had me shooting second unit, which I was right.

And, you know, I found working with you, you always gave me a lot of confidence as a director to take a chance. But you didn't have that for yourself, except, you know, every once in a while I'd pop over. But you had me shooting second unit, which I was right.

But that was what was your idea in terms of just the shooting on film for the flashbacks, which is something we hadn't done before on the show? What was your thinking on that?

But that was what was your idea in terms of just the shooting on film for the flashbacks, which is something we hadn't done before on the show? What was your thinking on that?

But that was what was your idea in terms of just the shooting on film for the flashbacks, which is something we hadn't done before on the show? What was your thinking on that?

And by the way, the house, can we talk about the house? The house was the house that Jessica was renting in Nyack, New York while she was making Severance that Jeremy Handel, our production designer, and you decided, oh, what about your house to shoot Mark and Gemma's?

And by the way, the house, can we talk about the house? The house was the house that Jessica was renting in Nyack, New York while she was making Severance that Jeremy Handel, our production designer, and you decided, oh, what about your house to shoot Mark and Gemma's?

And by the way, the house, can we talk about the house? The house was the house that Jessica was renting in Nyack, New York while she was making Severance that Jeremy Handel, our production designer, and you decided, oh, what about your house to shoot Mark and Gemma's?

Of course, because it's people carrying equipment and sitting down and crews, you know, I mean, everybody tries their best, but it's you don't want to do that.

Of course, because it's people carrying equipment and sitting down and crews, you know, I mean, everybody tries their best, but it's you don't want to do that.

Of course, because it's people carrying equipment and sitting down and crews, you know, I mean, everybody tries their best, but it's you don't want to do that.

Yeah, it's pretty amazing because it was also at the very end of our shoot. I think we had a, well, it was like 186 day shoot this season.

Yeah, it's pretty amazing because it was also at the very end of our shoot. I think we had a, well, it was like 186 day shoot this season.

Yeah, it's pretty amazing because it was also at the very end of our shoot. I think we had a, well, it was like 186 day shoot this season.

And intentionally, it's one of the only scenes you'll see in the show that has green trees in it, because it's a different time. And the feeling was it was a stripped down crew to a certain amount. And it was just a different approach for that week of shooting. And you just made, I thought, some really amazing, beautiful choices in that house.

And intentionally, it's one of the only scenes you'll see in the show that has green trees in it, because it's a different time. And the feeling was it was a stripped down crew to a certain amount. And it was just a different approach for that week of shooting. And you just made, I thought, some really amazing, beautiful choices in that house.

And intentionally, it's one of the only scenes you'll see in the show that has green trees in it, because it's a different time. And the feeling was it was a stripped down crew to a certain amount. And it was just a different approach for that week of shooting. And you just made, I thought, some really amazing, beautiful choices in that house.

Those scenes in the kitchen or her sitting alone or Adam with the crib, you know, trying to break the crib down or the scene in the bathroom where she's going through that really tough time was just so sensitively and beautifully shot and Felt to me like moments from like could be from like a Bergman film or something like that.

Those scenes in the kitchen or her sitting alone or Adam with the crib, you know, trying to break the crib down or the scene in the bathroom where she's going through that really tough time was just so sensitively and beautifully shot and Felt to me like moments from like could be from like a Bergman film or something like that.

Those scenes in the kitchen or her sitting alone or Adam with the crib, you know, trying to break the crib down or the scene in the bathroom where she's going through that really tough time was just so sensitively and beautifully shot and Felt to me like moments from like could be from like a Bergman film or something like that.