Ben Stiller

Yeah, I just would say for me on my end that I feel the same thing with you that you have opened up for me to creatively the sort of the willingness to take a chance with something and to go with your intuition for me is something that I've gotten from working with you.

Yeah, I just would say for me on my end that I feel the same thing with you that you have opened up for me to creatively the sort of the willingness to take a chance with something and to go with your intuition for me is something that I've gotten from working with you.

And then you would just do the opposite of whatever I told you to do, right?

And then you would just do the opposite of whatever I told you to do, right?

And then you would just do the opposite of whatever I told you to do, right?

I think you're right. I think you're right. Like allowing space, even though like there's not a lot of improvisation per se, script wise, there's room for just things to happen. And I have to say, I remember one day we were shooting on Dannemora and I yelled cut after a scene and you came up to me and go, why'd you yell cut so soon? Do you remember that?

I think you're right. I think you're right. Like allowing space, even though like there's not a lot of improvisation per se, script wise, there's room for just things to happen. And I have to say, I remember one day we were shooting on Dannemora and I yelled cut after a scene and you came up to me and go, why'd you yell cut so soon? Do you remember that?

I think you're right. I think you're right. Like allowing space, even though like there's not a lot of improvisation per se, script wise, there's room for just things to happen. And I have to say, I remember one day we were shooting on Dannemora and I yelled cut after a scene and you came up to me and go, why'd you yell cut so soon? Do you remember that?

You said, you yell cut too fast. And I was like, what? And it's like, hmm, maybe she's right. So then the next take, I let it go. And it just went on way too long. And the actress kept just acting. And I was like, oh, wow, stuff happens here. That you would not have happened. So I have to thank you for that because it just opened up so much for me.

You said, you yell cut too fast. And I was like, what? And it's like, hmm, maybe she's right. So then the next take, I let it go. And it just went on way too long. And the actress kept just acting. And I was like, oh, wow, stuff happens here. That you would not have happened. So I have to thank you for that because it just opened up so much for me.

You said, you yell cut too fast. And I was like, what? And it's like, hmm, maybe she's right. So then the next take, I let it go. And it just went on way too long. And the actress kept just acting. And I was like, oh, wow, stuff happens here. That you would not have happened. So I have to thank you for that because it just opened up so much for me.

But throughout this whole answer, you still have evaded my question, which was, will you ever go back to just being a cinematographer ever? And I think, you know, obviously everybody wants you to be a director because you're really, really good. But I'm just, what's your answer to that?

But throughout this whole answer, you still have evaded my question, which was, will you ever go back to just being a cinematographer ever? And I think, you know, obviously everybody wants you to be a director because you're really, really good. But I'm just, what's your answer to that?

But throughout this whole answer, you still have evaded my question, which was, will you ever go back to just being a cinematographer ever? And I think, you know, obviously everybody wants you to be a director because you're really, really good. But I'm just, what's your answer to that?

I think you should keep directing for sure. It's great talking to you.

I think you should keep directing for sure. It's great talking to you.

I think you should keep directing for sure. It's great talking to you.

Thank you.

Thank you.

Thank you.