Ben Stiller

And then there's the other aspect of what's informing their decisions based on, you know, their analytics and the level of information that they're getting that will create for them, you know, ideas of what they think they want to produce for their platform.

Yeah. He's a big ham, by the way.

Yeah. He's a big ham, by the way.

Yeah. He's a big ham, by the way.

Yeah. You know, yeah, I think their chances are really good. And, you know, that, yeah, I mean, for us, we just want to be able to tell the story in the number of seasons that it should be to finish the story. And that's what's

Yeah. You know, yeah, I think their chances are really good. And, you know, that, yeah, I mean, for us, we just want to be able to tell the story in the number of seasons that it should be to finish the story. And that's what's

Yeah. You know, yeah, I think their chances are really good. And, you know, that, yeah, I mean, for us, we just want to be able to tell the story in the number of seasons that it should be to finish the story. And that's what's

i mean that's the upside of working in this era is that you know we we're not a show that has to keep going because the network it's a network hit show that they're saying we need 22 episodes right and you got to keep doing until the ratings drop um there's no that pressure is not there and that that i think is something that gets lost a little bit in all the sort of weird negatives of this world too is that you're you have that creative freedom

i mean that's the upside of working in this era is that you know we we're not a show that has to keep going because the network it's a network hit show that they're saying we need 22 episodes right and you got to keep doing until the ratings drop um there's no that pressure is not there and that that i think is something that gets lost a little bit in all the sort of weird negatives of this world too is that you're you have that creative freedom

i mean that's the upside of working in this era is that you know we we're not a show that has to keep going because the network it's a network hit show that they're saying we need 22 episodes right and you got to keep doing until the ratings drop um there's no that pressure is not there and that that i think is something that gets lost a little bit in all the sort of weird negatives of this world too is that you're you have that creative freedom

For three hours, they were.

For three hours, they were.

For three hours, they were.

I don't know in terms of how it's all settling out. I know it's a crazy new world. I know Netflix has changed everything. The amount of shows that they produce, movies that they make, the level of what they're putting in and spending, it's just changed everything. Everybody who makes stuff, you want your stuff to be seen.

I don't know in terms of how it's all settling out. I know it's a crazy new world. I know Netflix has changed everything. The amount of shows that they produce, movies that they make, the level of what they're putting in and spending, it's just changed everything. Everybody who makes stuff, you want your stuff to be seen.

I don't know in terms of how it's all settling out. I know it's a crazy new world. I know Netflix has changed everything. The amount of shows that they produce, movies that they make, the level of what they're putting in and spending, it's just changed everything. Everybody who makes stuff, you want your stuff to be seen.

And so it's that sort of push-pull where if you have something on Netflix, you know that you have a chance for more people in the world to see it than probably ever. But it also could be just go down the queue very quickly and never even, you know, get any attention. And so that's a real thing, too, you know?

And so it's that sort of push-pull where if you have something on Netflix, you know that you have a chance for more people in the world to see it than probably ever. But it also could be just go down the queue very quickly and never even, you know, get any attention. And so that's a real thing, too, you know?

And so it's that sort of push-pull where if you have something on Netflix, you know that you have a chance for more people in the world to see it than probably ever. But it also could be just go down the queue very quickly and never even, you know, get any attention. And so that's a real thing, too, you know?

Yeah, sure. But I mean, like, who wouldn't be, you know, feeling like, oh, I don't want to just go down, you know. But it's just such a crazy world now that the cultural moment that you have for something. I actually like being on Apple because they don't drop everything at once. We get to have an episode every week. And I think for our show, that benefits our show.