Ben Stiller

in terms of visual effects is basically into that world anyway at this point.

Using those tools. I mean, there are little ways that if I feel like, oh, you know, to be honest, I'd say like, oh, you're doing ADR, which is when you're like doing looping extra lines or something and an actor's not available.

Using those tools. I mean, there are little ways that if I feel like, oh, you know, to be honest, I'd say like, oh, you're doing ADR, which is when you're like doing looping extra lines or something and an actor's not available.

Using those tools. I mean, there are little ways that if I feel like, oh, you know, to be honest, I'd say like, oh, you're doing ADR, which is when you're like doing looping extra lines or something and an actor's not available.

If the actor said, hey, it's okay, you know, you can use my voice and we can get the, you know, those words that you need to put in because I'm not available to do it because I'm doing another movie, something like that. Those are like kind of like mundane practical things that I think would be really helpful. And I don't know. I mean, I think I love the brutalist.

If the actor said, hey, it's okay, you know, you can use my voice and we can get the, you know, those words that you need to put in because I'm not available to do it because I'm doing another movie, something like that. Those are like kind of like mundane practical things that I think would be really helpful. And I don't know. I mean, I think I love the brutalist.

If the actor said, hey, it's okay, you know, you can use my voice and we can get the, you know, those words that you need to put in because I'm not available to do it because I'm doing another movie, something like that. Those are like kind of like mundane practical things that I think would be really helpful. And I don't know. I mean, I think I love the brutalist.

I, you know, I don't in any way look at that as that making that movie lesser in any way at all, honestly. I also am very impressed with that movie as a lot of people are because the price it was made for. But the unfortunate thing is that a movie like that has to be made for such a low price.

I, you know, I don't in any way look at that as that making that movie lesser in any way at all, honestly. I also am very impressed with that movie as a lot of people are because the price it was made for. But the unfortunate thing is that a movie like that has to be made for such a low price.

I, you know, I don't in any way look at that as that making that movie lesser in any way at all, honestly. I also am very impressed with that movie as a lot of people are because the price it was made for. But the unfortunate thing is that a movie like that has to be made for such a low price.

You know, it's just it's hard because I know how much creative people will, you know, will really stretch themselves to do what they want to do creatively because they you know, and it's really hard to get the opportunity to make a movie that's not something that everybody in the world is going to want to see. But yet those are the movies that we celebrate with awards and and move us.

You know, it's just it's hard because I know how much creative people will, you know, will really stretch themselves to do what they want to do creatively because they you know, and it's really hard to get the opportunity to make a movie that's not something that everybody in the world is going to want to see. But yet those are the movies that we celebrate with awards and and move us.

You know, it's just it's hard because I know how much creative people will, you know, will really stretch themselves to do what they want to do creatively because they you know, and it's really hard to get the opportunity to make a movie that's not something that everybody in the world is going to want to see. But yet those are the movies that we celebrate with awards and and move us.

So, you know, that's that's what I feel for are the creative people who are forced to have to really sacrifice a lot so that they can get something made. And now whether AI could in some way help that, I don't think that's a bad thing.

So, you know, that's that's what I feel for are the creative people who are forced to have to really sacrifice a lot so that they can get something made. And now whether AI could in some way help that, I don't think that's a bad thing.

So, you know, that's that's what I feel for are the creative people who are forced to have to really sacrifice a lot so that they can get something made. And now whether AI could in some way help that, I don't think that's a bad thing.

But where the rules are around it, I mean, the idea of somebody taking your image and then being able to do whatever they want with it, it's very concerning to me when I see what it could be done

But where the rules are around it, I mean, the idea of somebody taking your image and then being able to do whatever they want with it, it's very concerning to me when I see what it could be done

But where the rules are around it, I mean, the idea of somebody taking your image and then being able to do whatever they want with it, it's very concerning to me when I see what it could be done

That's always happening, that kind of thing. I think ever since the internet, you know? Yeah. But I do think it's concerning when you see in the political world how political ads can be created and people doing things that they didn't do. That's really scary.