Ben Stiller

And okay, you should know the drill by this point, but in case you don't, here's the spoiler warning. We'll be talking in depth about episode five of season two of Severance. So if you haven't watched that yet, please go do that before you listen. Yeah. It's gonna be spoilers all over the place.

And okay, you should know the drill by this point, but in case you don't, here's the spoiler warning. We'll be talking in depth about episode five of season two of Severance. So if you haven't watched that yet, please go do that before you listen. Yeah. It's gonna be spoilers all over the place.

And okay, you should know the drill by this point, but in case you don't, here's the spoiler warning. We'll be talking in depth about episode five of season two of Severance. So if you haven't watched that yet, please go do that before you listen. Yeah. It's gonna be spoilers all over the place.

We're gonna go deep. It's been so much fun to see how the people who watch the show are paying such close attention to it. I mean, I know we've talked about this before, but it's crazy to me the level of scrutiny that people are looking at scenes with and freezing the frame and looking at details. And I just want to say I appreciate so much how much thought people put into the show.

We're gonna go deep. It's been so much fun to see how the people who watch the show are paying such close attention to it. I mean, I know we've talked about this before, but it's crazy to me the level of scrutiny that people are looking at scenes with and freezing the frame and looking at details. And I just want to say I appreciate so much how much thought people put into the show.

We're gonna go deep. It's been so much fun to see how the people who watch the show are paying such close attention to it. I mean, I know we've talked about this before, but it's crazy to me the level of scrutiny that people are looking at scenes with and freezing the frame and looking at details. And I just want to say I appreciate so much how much thought people put into the show.

It's like there's no better feeling when you're working on something to see that people are really, you know... It's so cool. Just digging in.

It's like there's no better feeling when you're working on something to see that people are really, you know... It's so cool. Just digging in.

It's like there's no better feeling when you're working on something to see that people are really, you know... It's so cool. Just digging in.

Yeah, it was literally maybe like an hour after the episode came out, somebody had put together a cut. Oh, is that right? Both scenes. Yeah. And we had planned that out. And Sam and I worked together and Jeff, our Richmond, our editor, we made sure that we edited it so that the timing worked. And I'm just so relieved that it actually happened. came out the way that we wanted.

Yeah, it was literally maybe like an hour after the episode came out, somebody had put together a cut. Oh, is that right? Both scenes. Yeah. And we had planned that out. And Sam and I worked together and Jeff, our Richmond, our editor, we made sure that we edited it so that the timing worked. And I'm just so relieved that it actually happened. came out the way that we wanted.

Yeah, it was literally maybe like an hour after the episode came out, somebody had put together a cut. Oh, is that right? Both scenes. Yeah. And we had planned that out. And Sam and I worked together and Jeff, our Richmond, our editor, we made sure that we edited it so that the timing worked. And I'm just so relieved that it actually happened. came out the way that we wanted.

Yeah, we were there and we each were like, you know, coordinating and like the episode's a beautiful looking episode. And I have to also shout out Susie Lavelle, who's our cinematographer on episode two and just beautiful composition, beautiful lighting. And, you know, it's the first all Audi episode. So yeah. It was definitely uncharted territory for us, right?

Yeah, we were there and we each were like, you know, coordinating and like the episode's a beautiful looking episode. And I have to also shout out Susie Lavelle, who's our cinematographer on episode two and just beautiful composition, beautiful lighting. And, you know, it's the first all Audi episode. So yeah. It was definitely uncharted territory for us, right?

Yeah, we were there and we each were like, you know, coordinating and like the episode's a beautiful looking episode. And I have to also shout out Susie Lavelle, who's our cinematographer on episode two and just beautiful composition, beautiful lighting. And, you know, it's the first all Audi episode. So yeah. It was definitely uncharted territory for us, right?

Michael, first of all, thanks for standing by while we did all that just now on the Zoom as a silent audience. What did you think of our intro and stuff?

Michael, first of all, thanks for standing by while we did all that just now on the Zoom as a silent audience. What did you think of our intro and stuff?

Michael, first of all, thanks for standing by while we did all that just now on the Zoom as a silent audience. What did you think of our intro and stuff?

Because I kept on checking your reaction as we were talking about stuff, and I felt like you were either moderately amused or just sort of tolerating.

Because I kept on checking your reaction as we were talking about stuff, and I felt like you were either moderately amused or just sort of tolerating.