Ben Stiller

And when we found it, Jessica Lee Gagne, who's our cinematographer, we were Googling stuff and she found this place and we looked at it from above and it looked like this giant sort of like almost like an egg shape with this or the building was there. And then the parking lot was like an egg shaped oval around it. And we're like, this is so crazy, this view and this shape.

And then we went there and it was just gigantic.

And then we went there and it was just gigantic.

And then we went there and it was just gigantic.

and kind of empty so and nobody had filmed anything there that was the that's so when you're making movies and you find a location you get so excited when you find a really cool location that nobody's ever filmed at because you don't want to have something that's been in another movie yeah yeah and so when we found that that was the first thing we found and then we designed the sets and all the interiors and everything are on sound stages that we shot up in the bronx but um but that was like the design sort of

and kind of empty so and nobody had filmed anything there that was the that's so when you're making movies and you find a location you get so excited when you find a really cool location that nobody's ever filmed at because you don't want to have something that's been in another movie yeah yeah and so when we found that that was the first thing we found and then we designed the sets and all the interiors and everything are on sound stages that we shot up in the bronx but um but that was like the design sort of

and kind of empty so and nobody had filmed anything there that was the that's so when you're making movies and you find a location you get so excited when you find a really cool location that nobody's ever filmed at because you don't want to have something that's been in another movie yeah yeah and so when we found that that was the first thing we found and then we designed the sets and all the interiors and everything are on sound stages that we shot up in the bronx but um but that was like the design sort of

the first sort of Inspiration for the rest of the show.

the first sort of Inspiration for the rest of the show.

the first sort of Inspiration for the rest of the show.

Yeah, and it was a guy named arrow Sarnon who's an architect in the 50s who made that building did you always imagine the the characters having that fun kind of comedy banter or Like because it's such a it's a very serious show or at least it feels very like no you're right though like in the the when I read the script that Dan wrote it was a pilot he wrote spec pilot on his own that he brought to our company and

Yeah, and it was a guy named arrow Sarnon who's an architect in the 50s who made that building did you always imagine the the characters having that fun kind of comedy banter or Like because it's such a it's a very serious show or at least it feels very like no you're right though like in the the when I read the script that Dan wrote it was a pilot he wrote spec pilot on his own that he brought to our company and

Yeah, and it was a guy named arrow Sarnon who's an architect in the 50s who made that building did you always imagine the the characters having that fun kind of comedy banter or Like because it's such a it's a very serious show or at least it feels very like no you're right though like in the the when I read the script that Dan wrote it was a pilot he wrote spec pilot on his own that he brought to our company and

When I read that banter, it reminded me of shows I love, like The Office or Parks and Rec, this back and forth thing that they had. And what was so fascinating to me was, oh, these guys are like doing this kind of funny office humor, but yet they don't know who they are, why they're there, what they're doing. It's so good. Yeah, they don't know anything.

When I read that banter, it reminded me of shows I love, like The Office or Parks and Rec, this back and forth thing that they had. And what was so fascinating to me was, oh, these guys are like doing this kind of funny office humor, but yet they don't know who they are, why they're there, what they're doing. It's so good. Yeah, they don't know anything.

When I read that banter, it reminded me of shows I love, like The Office or Parks and Rec, this back and forth thing that they had. And what was so fascinating to me was, oh, these guys are like doing this kind of funny office humor, but yet they don't know who they are, why they're there, what they're doing. It's so good. Yeah, they don't know anything.

It's like so that's like this weird sort of Twilight Zone aspect to it. And it's very surreal and kind of abstract in a way. Like, well, what what is going on here? So that humor and that office workplace thing is actually for me always been sort of the core of what the show is. And then it's definitely developed into. Oh, yeah. Into what it is. That's awesome.

It's like so that's like this weird sort of Twilight Zone aspect to it. And it's very surreal and kind of abstract in a way. Like, well, what what is going on here? So that humor and that office workplace thing is actually for me always been sort of the core of what the show is. And then it's definitely developed into. Oh, yeah. Into what it is. That's awesome.

It's like so that's like this weird sort of Twilight Zone aspect to it. And it's very surreal and kind of abstract in a way. Like, well, what what is going on here? So that humor and that office workplace thing is actually for me always been sort of the core of what the show is. And then it's definitely developed into. Oh, yeah. Into what it is. That's awesome.

Strawberry butter. I haven't had a waffle in... I think since we shot the waffle party. I was about to say, yeah, you had to jump in there at least one time. When we shot the waffle party, we had these waffles. And I was like, I got to have a taste of one of those waffles. And that was like three years ago. For old time's sake. Yeah, it's crazy because we were off the air for three years.