Ben Stiller

And of course, there's no basis in trust. And we should listen to that scene where you guys first talk because you can hear it in your voice.

And of course, there's no basis in trust. And we should listen to that scene where you guys first talk because you can hear it in your voice.

You're so funny in that scene. Um, the way that you're like, oh yeah, I'm doing great. I just had a brain surgery. Uh, I mean, to me, that's also like sort of indicative of what the tone of the show is that we are trying to go forward. she's sort of like speaking, like she's in some sort of spooky, serious movie and you and Devin are like, okay, so cover up night. Okay, great. Whatever. Yeah.

You're so funny in that scene. Um, the way that you're like, oh yeah, I'm doing great. I just had a brain surgery. Uh, I mean, to me, that's also like sort of indicative of what the tone of the show is that we are trying to go forward. she's sort of like speaking, like she's in some sort of spooky, serious movie and you and Devin are like, okay, so cover up night. Okay, great. Whatever. Yeah.

You're so funny in that scene. Um, the way that you're like, oh yeah, I'm doing great. I just had a brain surgery. Uh, I mean, to me, that's also like sort of indicative of what the tone of the show is that we are trying to go forward. she's sort of like speaking, like she's in some sort of spooky, serious movie and you and Devin are like, okay, so cover up night. Okay, great. Whatever. Yeah.

Yeah. I'm like, you know, I feel like you guys are kind of being the audience and Cobell is still being Cobell.

Yeah. I'm like, you know, I feel like you guys are kind of being the audience and Cobell is still being Cobell.

Yeah. I'm like, you know, I feel like you guys are kind of being the audience and Cobell is still being Cobell.

But yet sometimes there's funny stuff that comes from Cobell too. Totally. You know, that's not necessarily self-referential, but like, you know, when she talks about Jack Frost dandruff shampoo or something like that. Yeah. It's so, it's like people take turns kind of, you know, poking a hole in the reality of the heaviness.

But yet sometimes there's funny stuff that comes from Cobell too. Totally. You know, that's not necessarily self-referential, but like, you know, when she talks about Jack Frost dandruff shampoo or something like that. Yeah. It's so, it's like people take turns kind of, you know, poking a hole in the reality of the heaviness.

But yet sometimes there's funny stuff that comes from Cobell too. Totally. You know, that's not necessarily self-referential, but like, you know, when she talks about Jack Frost dandruff shampoo or something like that. Yeah. It's so, it's like people take turns kind of, you know, poking a hole in the reality of the heaviness.

Which is, you know, I think something you as an actor are uniquely good at. And Jen too, the way Jen is just saying like, come on. Yeah. She's like, okay, come on. Just, all right. Great.

Which is, you know, I think something you as an actor are uniquely good at. And Jen too, the way Jen is just saying like, come on. Yeah. She's like, okay, come on. Just, all right. Great.

Which is, you know, I think something you as an actor are uniquely good at. And Jen too, the way Jen is just saying like, come on. Yeah. She's like, okay, come on. Just, all right. Great.

You're going to be super dramatic. Great. But we need to deal with this. Yeah. And you ultimately have to call in, right? You have to call in to Milchick. Yeah. And say, I'm not going to come in today. And then we see Milchick decides to let you have a pass.

You're going to be super dramatic. Great. But we need to deal with this. Yeah. And you ultimately have to call in, right? You have to call in to Milchick. Yeah. And say, I'm not going to come in today. And then we see Milchick decides to let you have a pass.

You're going to be super dramatic. Great. But we need to deal with this. Yeah. And you ultimately have to call in, right? You have to call in to Milchick. Yeah. And say, I'm not going to come in today. And then we see Milchick decides to let you have a pass.

Right, exactly. But there is a huge pressure to get him in because this is the momentous day and it's not going to happen the way it's supposed to happen if he doesn't come in. So he's really rebuking his marching orders. Yes. And, you know, it's that moment where he kind of looks at the painting on the wall and the painting is of a glacier iceberg. Yeah. It's like an iceberg.

Right, exactly. But there is a huge pressure to get him in because this is the momentous day and it's not going to happen the way it's supposed to happen if he doesn't come in. So he's really rebuking his marching orders. Yes. And, you know, it's that moment where he kind of looks at the painting on the wall and the painting is of a glacier iceberg. Yeah. It's like an iceberg.

Right, exactly. But there is a huge pressure to get him in because this is the momentous day and it's not going to happen the way it's supposed to happen if he doesn't come in. So he's really rebuking his marching orders. Yes. And, you know, it's that moment where he kind of looks at the painting on the wall and the painting is of a glacier iceberg. Yeah. It's like an iceberg.