Benicio Del Toro

is not there.

And when you find yourself in the moment and you're acting, the set will not get in the way.

You know, the camera is not gonna get in the way.

What does happen in a Wes Anderson film is when you walk in,

the set will embrace you to really feel that you are in this room, in this dining room, in this airplane.

And the details are, makes it really exciting.

But when it comes to, when they say action, you just got to be in the moment.

And usually being in the moment means you take everything around you for granted, you know?

So it's a combination, you know.

But the fact is that when you walk on the set, and there were many sets on this film, it was one wow after another.

Well, you know, yes.

I think Wes had her in mind already because we only auditioned her.

I was in London and we did a reading and then we started playing a little bit.

And there was a moment there in between scenes.

We were doing a scene and then just when we finished, I kept my eyes on her eyes and she kept her eyes on my eyes and we kind of looked at each other and...

No one blinked.

And it was pretty amazing to see such a young actress, you know, just hold her instrument, you know, just everything just there and just kind of like she was just looking at me and didn't blink.

And I remember telling Wes, like, you know, I think that's what Zsa Zsa needs.

He needs a strong support if he's going to become a better person.

So I did it at a time.