Bernadette Brennan
๐ค SpeakerAppearances Over Time
Podcast Appearances
There were many times I thought, I don't want to keep reading this.
It's overwritten.
I don't care about the next generation of love affairs or the great soldier who looked out and he felt like a man again.
And these kinds of moments, I thought, this story is too big to be treated in this way.
Having said that, I can see that she obviously wanted popular readership and a large readership and got that that way.
When you asked me to read this book for this show, I was quite excited because back in 2002, I was sent a manuscript by Pandanus Press and asked for an opinion.
And it was called White Butterflies and it was by Colin McPhadren.
And Colin McPhadren was a...
child in rangoon who was born of a scottish father and a burmese mother privileged childhood who had to escape to india when the japanese invaded and he wrote a memoir it is the most extraordinary story you will read and they did publish it in 2002 and it's been republished since then i think with university of new south wales or new south wales books
That story blew my mind open about the atrocities of the war, about the suffering of the Burmese people, not the Karen people because he was a Burman.
But that kind of memoir had a power and an authenticity which has never left me.
the novel, this novel, doesn't have that same kind of power.
There has to be some of that missing because of the form shift, because there has to be artistic licence and creative licence in the novel.
I think also perhaps because we have a novelist here writing about her mother and her mother's parents and her mother's parents' lovers and other people in the community.
So that sort of distance...
How much did those parents tell this child?
How much does she actually know?
Therefore, how much does she have to recreate to make it a story?
So you can see why she may well have gone for the novel form, but it doesn't have the overarching power, I think, of a memoir.
Reading it, writing it.