Billie Eilish

just not do that. You know, that's part of how things were then. And so thank God that those women came before me because otherwise I wouldn't have been able to do anything.

just not do that. You know, that's part of how things were then. And so thank God that those women came before me because otherwise I wouldn't have been able to do anything.

Thank you so much for having us.

Thank you so much for having us.

Thank you so much for having us.

I wish you the best for the rest of your life. Felt sorry for you when I looked in your eyes, but I need to confess I told you a lie. The love of my life Did I break your heart Did I waste your time I tried to be there for you

I wish you the best for the rest of your life. Felt sorry for you when I looked in your eyes, but I need to confess I told you a lie. The love of my life Did I break your heart Did I waste your time I tried to be there for you

I wish you the best for the rest of your life. Felt sorry for you when I looked in your eyes, but I need to confess I told you a lie. The love of my life Did I break your heart Did I waste your time I tried to be there for you

Then you tried to break mine It isn't asking for a lot for an apology For making me feel like I'd kill you if I tried to leave You said you'd never fall in love again because of me Then you moved on

Then you tried to break mine It isn't asking for a lot for an apology For making me feel like I'd kill you if I tried to leave You said you'd never fall in love again because of me Then you moved on

Then you tried to break mine It isn't asking for a lot for an apology For making me feel like I'd kill you if I tried to leave You said you'd never fall in love again because of me Then you moved on

Well, you know, we started making music when I was about 13. And as most 13-year-olds, I had not, you know, grown into my body and my voice and all the things that you age into as a human. And I always, you know, it's funny, like when things like that happen at a young age, you kind of have this idea that that's how things are going to be forever.

Well, you know, we started making music when I was about 13. And as most 13-year-olds, I had not, you know, grown into my body and my voice and all the things that you age into as a human. And I always, you know, it's funny, like when things like that happen at a young age, you kind of have this idea that that's how things are going to be forever.

Well, you know, we started making music when I was about 13. And as most 13-year-olds, I had not, you know, grown into my body and my voice and all the things that you age into as a human. And I always, you know, it's funny, like when things like that happen at a young age, you kind of have this idea that that's how things are going to be forever.

And so in my mind at the time, my voice was going to sound like it did then forever I thought it was going to be soft and my range wasn't going to be very big and I wasn't ever going to be able to belt and I wasn't ever going to be able to you know have much of a chest mix in my voice and you know I spent many years touring and singing and doing shows and My voice matured and started to change.

And so in my mind at the time, my voice was going to sound like it did then forever I thought it was going to be soft and my range wasn't going to be very big and I wasn't ever going to be able to belt and I wasn't ever going to be able to you know have much of a chest mix in my voice and you know I spent many years touring and singing and doing shows and My voice matured and started to change.

And so in my mind at the time, my voice was going to sound like it did then forever I thought it was going to be soft and my range wasn't going to be very big and I wasn't ever going to be able to belt and I wasn't ever going to be able to you know have much of a chest mix in my voice and you know I spent many years touring and singing and doing shows and My voice matured and started to change.

And in the making of Hit Me Hard and Soft, I started working with a singing teacher, which I hadn't done since I was a kid in my choir. And I kind of always felt hesitant to and kind of...

And in the making of Hit Me Hard and Soft, I started working with a singing teacher, which I hadn't done since I was a kid in my choir. And I kind of always felt hesitant to and kind of...

And in the making of Hit Me Hard and Soft, I started working with a singing teacher, which I hadn't done since I was a kid in my choir. And I kind of always felt hesitant to and kind of...