Billy Corgan

Exactly.

So it's just striking when you see it visually.

So I think it's a beautiful visual representation of just the madness of the whole.

Also, can you talk a little bit about, because the footage was all silent and your decision to sort of create a, and what struck me, and maybe you don't make this connection, is, you know, your grandfather was so intimately involved with the Silly Symphony and this idea of merging music and sound.

And here you are all these years later taking this silent footage.

And basically building a, not just a musical soundtrack, but a soundtrack of special effect sound.

But, you know, steam hammers and to create the virtual immersion into the building of this thing.

When we said it, it kind of struck me because I thought, well, that's really interesting, right?

That's what I'm saying.

I thought, wow, that's kind of funny.

And it was... It's seamless because...

I only know after I watched the doc that it was silent.

Yeah, and it was funny.

At no point did I think it didn't feel strange.

So you live in that, yeah.

I'm fascinated with Disneyland as just sort of a kind of a sociological experiment, this idea that he has this dream, he builds this theme park.

And of course, it's turned into a very robust business with Universal and, you know, there's theme parks all over the world now, including Disney parks.

But this idea that it becomes this almost like...

I read somewhere where many people don't understand about Walt's vision for Disneyland was he wanted you to be in the movie.

I saw where an Imagineer talked about that.