Bradley Cooper

You know, I didn't have a big part.

Right.

But I would spend the rest of the day in the editing rooms, and then I would ask Ken Olin, who was so generous, one of the showrunners, if I could just shadow him and just be around all the time.

And I would take everybody's dailies home.

Back then it was in VHS tapes.

It was Carl Lumley, Victor Garber, Ron Rifkin, all these great – Victor and Ron were from New York, these great New York actors that came out.

And I would just watch their dailies and learn.

You know, just learn.

And that's when I was like, I love this.

Like I fucking love this.

Yeah.

And I do, man.

Like I can't get enough of it.

That's the other great thing about what I get to do.

So you do a movie like a sniper and you get to be with these people who have dedicated their lives to this thing and you're watching them do it.

Like in Maestro, I got to go with the London Symphony Orchestra.

Each person since they were four have been doing this and they're all unicorns.

Do you know what I mean?

And stars born all these musicians.

It's like even Burn, I got to go to these restaurants and study under these people.