Brian Regan

That I thought was not in your act. So I worked on this Zamboni story, you know, like, I mean, that's a true story. But then I started realizing a lot of people were actually just doing bits from their act, pretending like they were stories. And I was like, well, felt like cheating to me.

It was hard for me too. Yeah. I would practice it at the end of my shows, you know, the story, and I would tell the audience, hey, I'm working on a story for this TV thing. So I practiced it, but it still wasn't something that was part of my act normally.

It was hard for me too. Yeah. I would practice it at the end of my shows, you know, the story, and I would tell the audience, hey, I'm working on a story for this TV thing. So I practiced it, but it still wasn't something that was part of my act normally.

It was hard for me too. Yeah. I would practice it at the end of my shows, you know, the story, and I would tell the audience, hey, I'm working on a story for this TV thing. So I practiced it, but it still wasn't something that was part of my act normally.

I'm very meticulous about the words and the moments and the beats, and it's kind of like a curse in a way. Because then when you're just hanging out at a party or something like that, people kind of expect you to be funny.

I'm very meticulous about the words and the moments and the beats, and it's kind of like a curse in a way. Because then when you're just hanging out at a party or something like that, people kind of expect you to be funny.

I'm very meticulous about the words and the moments and the beats, and it's kind of like a curse in a way. Because then when you're just hanging out at a party or something like that, people kind of expect you to be funny.

And it's like, well, I'm not, you know, when I work on an act or a joke, it's like you put a lot of work and effort into it and you try to make it sound like it's just off kind of the top of your head. But that's not the way I'm able to really just, I can't do that in just normal life.

And it's like, well, I'm not, you know, when I work on an act or a joke, it's like you put a lot of work and effort into it and you try to make it sound like it's just off kind of the top of your head. But that's not the way I'm able to really just, I can't do that in just normal life.

And it's like, well, I'm not, you know, when I work on an act or a joke, it's like you put a lot of work and effort into it and you try to make it sound like it's just off kind of the top of your head. But that's not the way I'm able to really just, I can't do that in just normal life.

It's working.

It's working.

It's working.

The dumb character.

The dumb character.

The dumb character.

Well, I appreciate that. Your cadence is infectious.

Well, I appreciate that. Your cadence is infectious.

Well, I appreciate that. Your cadence is infectious.

I've noticed occasionally we're all – I remember doing a show one time and it was like two local – I'm in a comedy club. I had two other local comedians who I'd never met before. And I remember sitting in the back of the audience going, I'm following two Brian Regan. Oh, that was dense. I mean, they were similar, you know, like similar in style. And a guest spot who's Jackie the Joke Man Martling.