Cara O'Doherty

No.

That is a choice.

But actually, as it happens, in the case of The Devil Wears Prada, when it comes to seeing it on the big screen, it isn't quite as dark as the trailer showed.

So I don't know if they went and did a little bit of magic, if they went into a bit of panic mode or the trailer was possibly cut and sent out sooner.

But in this case, it's actually a lot better on the big screen.

Yes.

So there's kind of five steps to it, which is kind of interesting.

Modern filmmakers, I sound like I'm a hundred, they're modern filmmakers.

The idea is to create things that look more realistic, more moody, more atmospheric.

When we think of older Hollywood films, they were brightly lit.

They were very colorful.

We could see everything.

But the idea now is that wasn't actually real life.

So we need to portray things as they are.

That can still work depending on the cinematographer or how things are done.

But the other problem, big problem is digital photography.

I mean, we all have our own.

Every pocket has a phone that can be used to film.

We all know that.

So it makes it much more easier.