Carley Fortune

It's so true. Yeah. My best friend and I might like disagree on books all the time. Yeah.

It's so true. Yeah. My best friend and I might like disagree on books all the time. Yeah.

It's so true. Yeah. My best friend and I might like disagree on books all the time. Yeah.

And so

And so

And so

Yes, yes.

Yes, yes.

Yes, yes.

So I can't see the characters very clearly. I try to describe them so that you can picture them, but I'm not envisioning an actor playing the role. But the setting, the spaces, I... I can see very, very well. It's almost like a movie set for me. And I do draw out the exteriors. Did you do this? I didn't. The painting on the cover is by Elizabeth Lenny, who's done all my covers. Very good.

So I can't see the characters very clearly. I try to describe them so that you can picture them, but I'm not envisioning an actor playing the role. But the setting, the spaces, I... I can see very, very well. It's almost like a movie set for me. And I do draw out the exteriors. Did you do this? I didn't. The painting on the cover is by Elizabeth Lenny, who's done all my covers. Very good.

So I can't see the characters very clearly. I try to describe them so that you can picture them, but I'm not envisioning an actor playing the role. But the setting, the spaces, I... I can see very, very well. It's almost like a movie set for me. And I do draw out the exteriors. Did you do this? I didn't. The painting on the cover is by Elizabeth Lenny, who's done all my covers. Very good.

Thank you. She's so talented. I'm so grateful for her. But, yeah, I draw, like, the buildings. I draw the shoreline. Like, I like to be able to move my characters through the spaces. Yeah, I love that. And that's kind of how I do it.

Thank you. She's so talented. I'm so grateful for her. But, yeah, I draw, like, the buildings. I draw the shoreline. Like, I like to be able to move my characters through the spaces. Yeah, I love that. And that's kind of how I do it.

Thank you. She's so talented. I'm so grateful for her. But, yeah, I draw, like, the buildings. I draw the shoreline. Like, I like to be able to move my characters through the spaces. Yeah, I love that. And that's kind of how I do it.

I think there's a lot of me in all the characters. And there are, like, bits and pieces of people I know for the characters. So in One Golden Summer – uh, Nan, who is Alice's grandmother. She's inspired by my grandparents.

I think there's a lot of me in all the characters. And there are, like, bits and pieces of people I know for the characters. So in One Golden Summer – uh, Nan, who is Alice's grandmother. She's inspired by my grandparents.

I think there's a lot of me in all the characters. And there are, like, bits and pieces of people I know for the characters. So in One Golden Summer – uh, Nan, who is Alice's grandmother. She's inspired by my grandparents.

My mom's parents died before I was born, but they, um, had a cottage when my mom grew up going to a cottage and my grandmother would have the kids by herself during the week at the cottage with no car, no like, you know, laundry machine. And, um, her husband would come up on the weekend when he was done work. And there were these amazing photos of my grandmother at the lake

My mom's parents died before I was born, but they, um, had a cottage when my mom grew up going to a cottage and my grandmother would have the kids by herself during the week at the cottage with no car, no like, you know, laundry machine. And, um, her husband would come up on the weekend when he was done work. And there were these amazing photos of my grandmother at the lake