Carrie Coon

You do, your presence and your voice, which is hard for a little lady. And you're in these, you know, you're outside and so there's rain and there's thunder and lightning. There's all the conditions you have to fight against as well. And you're in upholstery fabrics so they don't get ruined and... Yeah, I was there. And a lot of the directors working out there were Chicago based.

You do, your presence and your voice, which is hard for a little lady. And you're in these, you know, you're outside and so there's rain and there's thunder and lightning. There's all the conditions you have to fight against as well. And you're in upholstery fabrics so they don't get ruined and... Yeah, I was there. And a lot of the directors working out there were Chicago based.

Everything's made of upholstery fabric. And like, you know, you have to be nice to people because they won't wipe the mosquitoes off your face when you're playing a dead body. And then so the directors, James Bonin, who worked at a theater in Chicago, gave me my first job in Chicago. And then I was auditioning at Steppenwolf and I was getting called back.

Everything's made of upholstery fabric. And like, you know, you have to be nice to people because they won't wipe the mosquitoes off your face when you're playing a dead body. And then so the directors, James Bonin, who worked at a theater in Chicago, gave me my first job in Chicago. And then I was auditioning at Steppenwolf and I was getting called back.

Everything's made of upholstery fabric. And like, you know, you have to be nice to people because they won't wipe the mosquitoes off your face when you're playing a dead body. And then so the directors, James Bonin, who worked at a theater in Chicago, gave me my first job in Chicago. And then I was auditioning at Steppenwolf and I was getting called back.

And then eventually my first job on the main stage was was Who's Afraid of Virginia Woolf. And that play ended up going to Broadway. And I met Tracy. And that's the play that changed my life.

And then eventually my first job on the main stage was was Who's Afraid of Virginia Woolf. And that play ended up going to Broadway. And I met Tracy. And that's the play that changed my life.

And then eventually my first job on the main stage was was Who's Afraid of Virginia Woolf. And that play ended up going to Broadway. And I met Tracy. And that's the play that changed my life.

Ja, weil wir auf Broadway gingen.

Ja, weil wir auf Broadway gingen.

Ja, weil wir auf Broadway gingen.

Ich meine, jeder, der es gefunden hat, war weg. Laurie Metcalf, all diese Leute haben sich gewechselt. Es war die neue Generation. Und Tracy war wie, ich weiß nicht, was du ihn anschaust. Ist er wie die dritte Generation von Steppenwolf oder so? Ja, ich glaube so. Also war ich die eine, die unter ihm kam. War er nicht da, als du da warst?

Ich meine, jeder, der es gefunden hat, war weg. Laurie Metcalf, all diese Leute haben sich gewechselt. Es war die neue Generation. Und Tracy war wie, ich weiß nicht, was du ihn anschaust. Ist er wie die dritte Generation von Steppenwolf oder so? Ja, ich glaube so. Also war ich die eine, die unter ihm kam. War er nicht da, als du da warst?

Ich meine, jeder, der es gefunden hat, war weg. Laurie Metcalf, all diese Leute haben sich gewechselt. Es war die neue Generation. Und Tracy war wie, ich weiß nicht, was du ihn anschaust. Ist er wie die dritte Generation von Steppenwolf oder so? Ja, ich glaube so. Also war ich die eine, die unter ihm kam. War er nicht da, als du da warst?

Yeah, this is like post, I mean, this is post August Osage County. I mean, he's kind of the man who was sort of responsible for funding the theater at that point because of his plays. But Tracy and I were, yeah, he'd been, I mean, he and Amy Morin had played married like, I don't know, 12 times or something by then.

Yeah, this is like post, I mean, this is post August Osage County. I mean, he's kind of the man who was sort of responsible for funding the theater at that point because of his plays. But Tracy and I were, yeah, he'd been, I mean, he and Amy Morin had played married like, I don't know, 12 times or something by then.

Yeah, this is like post, I mean, this is post August Osage County. I mean, he's kind of the man who was sort of responsible for funding the theater at that point because of his plays. But Tracy and I were, yeah, he'd been, I mean, he and Amy Morin had played married like, I don't know, 12 times or something by then.

And so that's where Tracy and I met. And then that play went to Broadway. And that's when I started going to casting directors in New York. And I had done commercials and one guest star spot on TV.

And so that's where Tracy and I met. And then that play went to Broadway. And that's when I started going to casting directors in New York. And I had done commercials and one guest star spot on TV.

And so that's where Tracy and I met. And then that play went to Broadway. And that's when I started going to casting directors in New York. And I had done commercials and one guest star spot on TV.