Casey Neistat

And I still feel this way, but I hate it when it's dark.

Because it just limits what you can do.

It limits the visual appeal.

It's really hard to be out in the real world.

If it's dark, it's limited.

But when I sat down, I imported it.

Little footage I had, but I was pretty sure it was enough to tell a whole story.

None of my audio worked.

And I was like, is this a montage?

What am I doing here?

And I grabbed my camera and my microphone, and I went up to the roof of my apartment building, and I recorded a monologue into the microphone.

And I had like my laptop open.

So I was sort of like watching the edit and I made the video work.

And I thought it was a good video at the end of that.

So that was one of those unique days where like the wife and kids are sound asleep and I'm up on the roof of my building at 1130 at night with like a shirt on and pajama bottoms and slippers trying to figure out how to make this thing work.

Um, so again, like this is what we were just talking about, which is like, this was the dynamic nature.

Like I had no rules that said I couldn't do that, but obviously my ambition was to approach it in a more practical, like let's treat this as like a nine to five.

You just wait, David, until your internal monologue becomes you podcasting.

It's going to happen, man.

If you succeed, it's going to happen.