Casey O'Brien

Wait, how did you guys first meet?

Wait, how did you guys first meet?

Yeah, yeah.

Yeah, yeah.

I remember this now. I didn't realize it was from that article, but that's... Yeah, yeah.

I remember this now. I didn't realize it was from that article, but that's... Yeah, yeah.

OK, Millie, why don't we transition a little bit into why we wanted to bring Shalewa on the show today?

OK, Millie, why don't we transition a little bit into why we wanted to bring Shalewa on the show today?

I'm a little weak. And what was it when you saw it? What was your reaction to it? Was it nervous and excitement or like, were you surprised by your reaction to it? Were you comforted by the dancing? I fully enjoyed it. Millie, we saw it together.

I'm a little weak. And what was it when you saw it? What was your reaction to it? Was it nervous and excitement or like, were you surprised by your reaction to it? Were you comforted by the dancing? I fully enjoyed it. Millie, we saw it together.

We need to get rid of the darkness. We need to get rid of plot. We need to get rid of all the extra stuff and really concentrate. It's a concentrated film into what is the essence of And I think Magic Mike XXL is the one that is now remembered mostly. Absolutely.

We need to get rid of the darkness. We need to get rid of plot. We need to get rid of all the extra stuff and really concentrate. It's a concentrated film into what is the essence of And I think Magic Mike XXL is the one that is now remembered mostly. Absolutely.

Yeah, yeah. They remove all stakes, too. I mean, there's no stakes in the second one, really. I mean, in some ways, Magic Mike XXL feels more like an arthouse experimental film because you're like, Where are they going? Where are they going? It's not a competition. They're not going, it's like a showcase. They don't win anything. So there's no like prize money that they like need to get something.

Yeah, yeah. They remove all stakes, too. I mean, there's no stakes in the second one, really. I mean, in some ways, Magic Mike XXL feels more like an arthouse experimental film because you're like, Where are they going? Where are they going? It's not a competition. They're not going, it's like a showcase. They don't win anything. So there's no like prize money that they like need to get something.

They're just kind of like hanging out, going place to place, you know, dropping in on all these people and thrusting on them. And it's just like, it's more of an interesting kind of experiment in what a film can be than the first one, which is more of like a traditional, like, arc, you know? Yeah. Yeah.

They're just kind of like hanging out, going place to place, you know, dropping in on all these people and thrusting on them. And it's just like, it's more of an interesting kind of experiment in what a film can be than the first one, which is more of like a traditional, like, arc, you know? Yeah. Yeah.

Yeah. Well, bringing up the characters and like how you get to know them in the second one, which is like what makes that second one so great. Then they take that away immediately in the third one. I think they're on a,

Yeah. Well, bringing up the characters and like how you get to know them in the second one, which is like what makes that second one so great. Then they take that away immediately in the third one. I think they're on a,

Well, I thought that they were like setting it up. It's like, oh, don't worry. They're going to have to fix some things with the show and they're going to bring the boys back to help fix the show. And that did not happen.

Well, I thought that they were like setting it up. It's like, oh, don't worry. They're going to have to fix some things with the show and they're going to bring the boys back to help fix the show. And that did not happen.