Cassie McCullough

Yes, and all these women's bodies like in your face and she's commenting on how the physicality of it.

Yeah, I mean, it's corporal fiction, I would describe it.

I mean, there is so much bodies and what comes out of bodies and thoughts about menstruations and all that stuff that comes together.

So it feels very physical.

Well, firstly, him and how believable.

I tell you, what I can't believe is that his wife's letting him go on a book tour without her.

So he's got a beautiful voice we just heard.

He's really handsome and he makes things with his hands.

Yeah.

I mean, he's not coming back.

The, the scenario.

Yeah.

It's really believable.

And I like how he focused on, on, on, you know, the fungus and the insects as being, you know, cause there are so many people think about, oh, carbon and it's going to get hotter.

And then that's going to make some places colder and there's going to be some winds and some fires and stuff.

And people focus on all these big things for Armageddon, but they don't look at the small things.

Oh, she's sort of like bookends for the book.

Because she's at the start and she's at the end, and there's nothing in between.

I mean, about everything in between.

He talks about the heartwood of a tree being dead and only the sap, the sapwood around the outside is living.