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Character from the film

๐Ÿ‘ค Speaker
522 total appearances

Appearances Over Time

Podcast Appearances

Fresh Air
Best Of: A Writer Grapples With A Life-Changing Accident / The Post WWII 'Red Scare'

Which brings me to the big favor.

Fresh Air
Best Of: A Writer Grapples With A Life-Changing Accident / The Post WWII 'Red Scare'

Lucy, I'm not sure... Just...

Fresh Air
Best Of: A Writer Grapples With A Life-Changing Accident / The Post WWII 'Red Scare'

Lucy, I'm not sure... Just...

Fresh Air
Best Of: A Writer Grapples With A Life-Changing Accident / The Post WWII 'Red Scare'

Lucy, I'm not sure... Just...

Fresh Air
Best Of: A Writer Grapples With A Life-Changing Accident / The Post WWII 'Red Scare'

So I went into his home office looking for clues as to what he might have been working on, and there's nothing. He's been hidden in there for two months, nothing to show for it. Now, either he took his files and tatty orange notebook with him, or it's in his other office, the one at the police station. Now, I can't access that. In fact, the only person that can is James.

Fresh Air
Best Of: A Writer Grapples With A Life-Changing Accident / The Post WWII 'Red Scare'

So I went into his home office looking for clues as to what he might have been working on, and there's nothing. He's been hidden in there for two months, nothing to show for it. Now, either he took his files and tatty orange notebook with him, or it's in his other office, the one at the police station. Now, I can't access that. In fact, the only person that can is James.

Fresh Air
Best Of: A Writer Grapples With A Life-Changing Accident / The Post WWII 'Red Scare'

So I went into his home office looking for clues as to what he might have been working on, and there's nothing. He's been hidden in there for two months, nothing to show for it. Now, either he took his files and tatty orange notebook with him, or it's in his other office, the one at the police station. Now, I can't access that. In fact, the only person that can is James.

Fresh Air
Best Of: A Writer Grapples With A Life-Changing Accident / The Post WWII 'Red Scare'

Or somebody who looks remarkably like him. No! It's nothing. It's easy. It is in and out. Are you... No! Absolutely not! I've been there. I know the layout. You won't have to talk to anybody. Really? And if they talk to me? Just stick to small talk. Just keep walking. What small talk? Have you heard my small talk? This, right now, is about as good as it gets. Look, I've met most of his colleagues.

Fresh Air
Best Of: A Writer Grapples With A Life-Changing Accident / The Post WWII 'Red Scare'

Or somebody who looks remarkably like him. No! It's nothing. It's easy. It is in and out. Are you... No! Absolutely not! I've been there. I know the layout. You won't have to talk to anybody. Really? And if they talk to me? Just stick to small talk. Just keep walking. What small talk? Have you heard my small talk? This, right now, is about as good as it gets. Look, I've met most of his colleagues.

Fresh Air
Best Of: A Writer Grapples With A Life-Changing Accident / The Post WWII 'Red Scare'

Or somebody who looks remarkably like him. No! It's nothing. It's easy. It is in and out. Are you... No! Absolutely not! I've been there. I know the layout. You won't have to talk to anybody. Really? And if they talk to me? Just stick to small talk. Just keep walking. What small talk? Have you heard my small talk? This, right now, is about as good as it gets. Look, I've met most of his colleagues.

Fresh Air
Best Of: A Writer Grapples With A Life-Changing Accident / The Post WWII 'Red Scare'

I mean, I can brief you on all of them. Certainly enough to get you through a piddly little visit to the office. Just there and back. Lucy, stop! That would be illegal.

Fresh Air
Best Of: A Writer Grapples With A Life-Changing Accident / The Post WWII 'Red Scare'

I mean, I can brief you on all of them. Certainly enough to get you through a piddly little visit to the office. Just there and back. Lucy, stop! That would be illegal.

Fresh Air
Best Of: A Writer Grapples With A Life-Changing Accident / The Post WWII 'Red Scare'

I mean, I can brief you on all of them. Certainly enough to get you through a piddly little visit to the office. Just there and back. Lucy, stop! That would be illegal.

Fresh Air
Best Of: A Writer Grapples With A Life-Changing Accident / The Post WWII 'Red Scare'

Okay, so, what we're looking at here is a concatenation of syllogisms, obviously. A series of statements and propositions, one of which will be false, but which we can weed out via a process of cross-reference and deductive reason. It's a logic puzzle. In this room, we have seven subjects, or suspects. I will label you A to G for simplicity. Three definitive facts, presumably connected.

Fresh Air
Best Of: A Writer Grapples With A Life-Changing Accident / The Post WWII 'Red Scare'

Okay, so, what we're looking at here is a concatenation of syllogisms, obviously. A series of statements and propositions, one of which will be false, but which we can weed out via a process of cross-reference and deductive reason. It's a logic puzzle. In this room, we have seven subjects, or suspects. I will label you A to G for simplicity. Three definitive facts, presumably connected.

Fresh Air
Best Of: A Writer Grapples With A Life-Changing Accident / The Post WWII 'Red Scare'

Okay, so, what we're looking at here is a concatenation of syllogisms, obviously. A series of statements and propositions, one of which will be false, but which we can weed out via a process of cross-reference and deductive reason. It's a logic puzzle. In this room, we have seven subjects, or suspects. I will label you A to G for simplicity. Three definitive facts, presumably connected.

Fresh Air
Best Of: A Writer Grapples With A Life-Changing Accident / The Post WWII 'Red Scare'

The fire door alarm, the phone call, and the murder itself. I'll label then one to three. Plus, of course, the alleged movements of everyone in this column within the timescale of the factual events contained in this one, which we'll put into a third column of seven, T to Z. So, C was exiting the elevator in the foyer at the same time as D was leaving by the front.

Fresh Air
Best Of: A Writer Grapples With A Life-Changing Accident / The Post WWII 'Red Scare'

The fire door alarm, the phone call, and the murder itself. I'll label then one to three. Plus, of course, the alleged movements of everyone in this column within the timescale of the factual events contained in this one, which we'll put into a third column of seven, T to Z. So, C was exiting the elevator in the foyer at the same time as D was leaving by the front.

Fresh Air
Best Of: A Writer Grapples With A Life-Changing Accident / The Post WWII 'Red Scare'

The fire door alarm, the phone call, and the murder itself. I'll label then one to three. Plus, of course, the alleged movements of everyone in this column within the timescale of the factual events contained in this one, which we'll put into a third column of seven, T to Z. So, C was exiting the elevator in the foyer at the same time as D was leaving by the front.

Fresh Air
Best Of: A Writer Grapples With A Life-Changing Accident / The Post WWII 'Red Scare'

Both statements confirm the other, which means that neither C nor D could have been present at factual events one and two, so we can cross those off, which naturally means we can also put crosses here and here and here, since this dictates that A and E could not have been present at that location at that time, or else they would have crossed with C or D. Do you follow? No.