Charan Ranganath

Yeah, yeah, yeah. Carrie Hoffman and also Paula Croxon. And so they do, yeah, so Carrie does Blondie amazingly well. And we do, like, Gigantic by the Pixies. Paula does that one.

Of someone else's?

Of someone else's?

Of someone else's?

Cover, okay. And it's one we do with Pavlov's dogs. Mm-hmm. I really enjoy playing I Want to Be Your Dog by Iggy and the Stooges. Yeah, it's a good song. Which is perfect because we're Pavlov's dogs.

Cover, okay. And it's one we do with Pavlov's dogs. Mm-hmm. I really enjoy playing I Want to Be Your Dog by Iggy and the Stooges. Yeah, it's a good song. Which is perfect because we're Pavlov's dogs.

Cover, okay. And it's one we do with Pavlov's dogs. Mm-hmm. I really enjoy playing I Want to Be Your Dog by Iggy and the Stooges. Yeah, it's a good song. Which is perfect because we're Pavlov's dogs.

And Pavlov, of course, was like basically created learning theory. So, you know, there's that. But also it's like, but I mean, Iggy and the Stooges, that song. So I play and sing on it, but it's just like it devolves into total noise. Yeah. just like fall on the floor and generate feedback.

And Pavlov, of course, was like basically created learning theory. So, you know, there's that. But also it's like, but I mean, Iggy and the Stooges, that song. So I play and sing on it, but it's just like it devolves into total noise. Yeah. just like fall on the floor and generate feedback.

And Pavlov, of course, was like basically created learning theory. So, you know, there's that. But also it's like, but I mean, Iggy and the Stooges, that song. So I play and sing on it, but it's just like it devolves into total noise. Yeah. just like fall on the floor and generate feedback.

I've like, I think in the last version, it might've been that or a velvet underground cover in our last show. I actually, I have a guitar made of aluminum that I got made and I thought this thing's indestructible. And so I kind of like was just, you know, moving it around, had it upside down and all this stuff to generate feedback.

I've like, I think in the last version, it might've been that or a velvet underground cover in our last show. I actually, I have a guitar made of aluminum that I got made and I thought this thing's indestructible. And so I kind of like was just, you know, moving it around, had it upside down and all this stuff to generate feedback.

I've like, I think in the last version, it might've been that or a velvet underground cover in our last show. I actually, I have a guitar made of aluminum that I got made and I thought this thing's indestructible. And so I kind of like was just, you know, moving it around, had it upside down and all this stuff to generate feedback.

And I think I broke one of the, I broke one of the tuning pegs and I've had it to break it all metal guitar. Go figure. Yeah.

And I think I broke one of the, I broke one of the tuning pegs and I've had it to break it all metal guitar. Go figure. Yeah.

And I think I broke one of the, I broke one of the tuning pegs and I've had it to break it all metal guitar. Go figure. Yeah.

I think the most beautiful, but incredibly hard to put your finger on is this idea of the internal model that it's like, there's everything you see and there's everything you hear and touch and taste, you know, every breath you take, whatever, but it's all connected by this, like, Mm-hmm. And being able to figure out where that comes from and how things are connected to me is just amazing.

I think the most beautiful, but incredibly hard to put your finger on is this idea of the internal model that it's like, there's everything you see and there's everything you hear and touch and taste, you know, every breath you take, whatever, but it's all connected by this, like, Mm-hmm. And being able to figure out where that comes from and how things are connected to me is just amazing.

I think the most beautiful, but incredibly hard to put your finger on is this idea of the internal model that it's like, there's everything you see and there's everything you hear and touch and taste, you know, every breath you take, whatever, but it's all connected by this, like, Mm-hmm. And being able to figure out where that comes from and how things are connected to me is just amazing.

But just this idea of like the world in front of us, we're only sampling this little bit and trying to take so much meaning from it. And we do a really good job, not perfect. I mean, you know, but that ability to me is just amazing.