Charlotte Gallagher

Hansson-Wright, sillä Akademin valtuutettavuudet ovat enemmän kuin 10 000, ne ovat hyvin rauhallisia. Tämä on vain viimeinen Akademin valtuutettavuuden lähes 100-vuotiaan tarjouksessa. Viimeinen on vuonna 2013, sanottuna äänen editoinnin kategoriassa, joka oli yhdistetty Skyfallin ja Zero Dark Thirtyn välillä. Ennen sitä oli Katharine Hepburn, Lyonin viimeisellä, ja Barbara Streisand, Funny Girlin viimeisellä.

Ja todella iloinen osa seremoniassa myös, muistamalla, millä Hollywoodin on mennyt viime vuonna, koska jotkut todelliset suuret ovat menneet.

Kyllä, ja olemme nähneet Robert Redforda ja toivottavasti olemme nähneet monia muualla tiettyjä nimiä. Tämä oli hyvin pitkä ja hyvin iloinen osa seremoniasta. Se on ollut kriittinen aiemmin jälkeen jättämällä ihmisiä ulos. Joten tämän vuoden jälkeen he menivät erittäin läpi, jotta toivottavasti jokainen, joka on jäänyt ulos, olisi muistuttu. Robert Redford, toivottavasti myös yhdessä niiden ympärillä. Ja hyvin liittyvä ja tuntuvainen osa seremoniasta, joka on tehty yhdessä Billy Crystalin osalta.

Se oli David Willis.

It's had a huge impact on the international film circuit, winning multiple awards, especially in Europe. But it didn't win the Oscar. That went to the Norwegian film Sentimental Value. The BBC's Anna Foster has been speaking to Hinn's mother, Wessam Hamada, who helped the film get made.

Sam, kerro minulle ensimmäisenä, ennen kuin puhumme filmin itseänsä ja sitä, mitä se kertoo, haluaisin kuulla hieman enemmän Hindeä, koska me tiedämme hänen nimensä ja me tiedämme niin paljon hänestä, että hän on keskustelun keskustelu. Mutta kerro minulle hänet, kun hän oli pieni nainen, kun hän oli teidän tyttö.

Hind was a lively child with many dreams. Her dream was to become a doctor. She loved helping people and was very compassionate. She was always mature for her age. She loved the sea and she loved her brother very much. She was truly a wonderful child in every sense. She wasn't an ordinary child.

She was very cheerful. Her spirit was beautiful. She had dreams and a life and all of that was taken from her. When Hind was there in the car and she was waiting for help and she was calling for help, for you as her mother, the pain of that is unimaginable. It must be hard to find the words. How did you manage to cope at that time when she was waiting to be rescued?

First of all, there is nothing that can describe that feeling or situation at that moment. Because when Hind was in the car, we weren't in a safe area either. There was no ceasefire. We were in an actual war.

Very difficult, mixed feelings. Your child is in the car asking for help. The feeling of helplessness when she tells you, mama I'm hungry, mama I'm scared, mama I'm injured, mama I'm surrounded by buddies. For me that was the hardest feeling. It's indescribable. Even if I was in danger, I wanted to save my daughter and I couldn't do anything. That was the most difficult thing.

Was it a difficult decision for you to allow the filmmakers to use those real genuine tapes, not an actress, those final moments of Hinn's life in her own words, and to know that everybody would hear that and that you would have to hear it again and again? How did you make that choice?

When I decided to allow the use of Hinn's voice, her image, I didn't imagine that I would survive. I expected that I would die. I thought I would never hear her voice again.

mutta haluan, että koko maailma kuulee hänen kärsimyksensä ja kärsimyksensä. Se oli niin suuri, että se oli vaikeaa minulle, kun olen isä, pysyä sen yksin tai ottaa hänen kärsimyksensä yksin. Mielestäni ajattelin, että en saa elää, mutta laittaisin maailman kuulemaan hänen ääntään.

Let the world see how children in Gaza and in all of Palestine suffer. What they feel at the moment of being killed. I haven't watched the film, but sometimes I come across it. And when I see clips with her voice, her voice never leaves my mind. It's even harder when I hear it again, even if it's a single word.

For example, sometimes when I come across her saying, come get me, triggers a burst of anger, as if it's all starting over again. And I feel I still want to go get her from the car, even today. Wessam Hamada speaking to Anna Forster.

President Trump is again urging his allies to help him in his war alongside Israel with Iran. In a new interview he warns NATO faces a very bad future if US allies fail to assist in the opening up of the Strait of Hormuz. He's quoted as saying, it's only appropriate that people who are the beneficiaries of the Strait will help to make sure nothing bad happens there. Just before we recorded this podcast, President Trump was speaking on Air Force One. We're talking to countries about...

Tämä on se, mitä me saamme. Me emme saa paljon, 1-2 prosenttia. Ja Kiina on esimerkki, joka saa noin 90 prosenttia siitä, mitä me saamme.

And governments around the world are keen for a solution to be found as oil prices have soared. And what of President Trump's threats to persuade NATO allies to help? The former U.S. ambassador to Malta, Gina Abercrombie-Winstanley, says for the U.S. president there could be some logic behind it.

President Trump has been having conversations with his close allies, including the British Prime Minister Keir Starmer, on potential plans to reopen the strait. With more, here's our diplomatic correspondent, Paul Adams. No let up in Israeli and American attacks on Iran. Homes in the capital scarred by more than two weeks of relentless bombardment.

but plenty of government buildings too, including the main research center of Iran's space agency. Tonight, word from Downing Street of a call between the prime minister and Donald Trump. Officials say they discussed the importance of reopening the Strait of Hormuz.