Chloe Hadjimatheou

If you have any more information about this story, or if you just want to get in touch with us about your own experience, you can write to us at podcasts at tortoismedia.com. In the past, Sally-Ann Bowens denied that she had any kind of sexual contact with Gareth or any other boy. Lucky Boy is reported by me, Chloe Hajimothe. The producer is Gary Marshall.

If you have any more information about this story, or if you just want to get in touch with us about your own experience, you can write to us at podcasts at tortoismedia.com. In the past, Sally-Ann Bowens denied that she had any kind of sexual contact with Gareth or any other boy. Lucky Boy is reported by me, Chloe Hajimothe. The producer is Gary Marshall.

Additional production from Rebecca Moore. Sound design is by Hannah Varrell. Original music by Tom Kinsella. Podcast artwork by Lola Williams. The voice actors are Caris Pentecost, Jasper Corbett, Matt Russell and Katie Gunning. The AI voice cloning was from Eleven Labs and the executive producer was Basha Cummings.

Additional production from Rebecca Moore. Sound design is by Hannah Varrell. Original music by Tom Kinsella. Podcast artwork by Lola Williams. The voice actors are Caris Pentecost, Jasper Corbett, Matt Russell and Katie Gunning. The AI voice cloning was from Eleven Labs and the executive producer was Basha Cummings.

Special thanks to Kavita Puri, Tom Wright, Xanthi Mallett, Peter Garsden, Keith Oddie and Alex Renton. If you or someone you know has experienced the issues covered in this episode, there are places you can reach out to. If you have any concerns about a child, then you can contact the NSPCC's helpline by calling 0808 800 500 or emailing help at nspcc.org.uk or visiting their website.

Special thanks to Kavita Puri, Tom Wright, Xanthi Mallett, Peter Garsden, Keith Oddie and Alex Renton. If you or someone you know has experienced the issues covered in this episode, there are places you can reach out to. If you have any concerns about a child, then you can contact the NSPCC's helpline by calling 0808 800 500 or emailing help at nspcc.org.uk or visiting their website.

Children can contact Childline and talk to an impartial counsellor. No concern is too big or small to discuss. Simply call 0800 1111 or visit their website for a one-to-one chat. For general concerns or talk, adults can contact the Samaritans on 116 123 or email joe at samaritans.org. That's joe at samaritans.org.

Children can contact Childline and talk to an impartial counsellor. No concern is too big or small to discuss. Simply call 0800 1111 or visit their website for a one-to-one chat. For general concerns or talk, adults can contact the Samaritans on 116 123 or email joe at samaritans.org. That's joe at samaritans.org.

There's a way I'm beginning to look at this story that separates it into two acts. There's Act 1, what's alleged to have happened in the late 1980s between Gareth and Miss Bowen, how it was handled by individual teachers and the school as an institution. That Christ College, it seems, had asked Sally Ann Bowen to quietly move on before the school and everyone left in it moved on too.

There's a way I'm beginning to look at this story that separates it into two acts. There's Act 1, what's alleged to have happened in the late 1980s between Gareth and Miss Bowen, how it was handled by individual teachers and the school as an institution. That Christ College, it seems, had asked Sally Ann Bowen to quietly move on before the school and everyone left in it moved on too.

The fact that Gareth wasn't able to was left as his problem. Das ist der erste Akt. Und für diese Part of the story, I'm open to what some of the former pupils have been telling me. That it was a different era, with different ideas and moral standards.

The fact that Gareth wasn't able to was left as his problem. Das ist der erste Akt. Und für diese Part of the story, I'm open to what some of the former pupils have been telling me. That it was a different era, with different ideas and moral standards.

The early 80s was a time before children's rights were properly fleshed out. And that meant that some very dark movements were able to get a foothold in the public conversation.

The early 80s was a time before children's rights were properly fleshed out. And that meant that some very dark movements were able to get a foothold in the public conversation.

Ein guter Beispiel ist der Pädophile Information Exchange, oder PIE, wie es genannt wurde. Es war ein Kampagnengruppe, die versucht hat, das Alter des Vertrauens zu reduzieren bis vier Jahre alt. PIE hat die Newsnight-Konferenz auf der BBC erhalten, die argumentiert hat, dass Pädophile unfairly demonisiert wurden.

Ein guter Beispiel ist der Pädophile Information Exchange, oder PIE, wie es genannt wurde. Es war ein Kampagnengruppe, die versucht hat, das Alter des Vertrauens zu reduzieren bis vier Jahre alt. PIE hat die Newsnight-Konferenz auf der BBC erhalten, die argumentiert hat, dass Pädophile unfairly demonisiert wurden.

The idea that a paedophile rights activist would be given a platform like this today was just unthinkable. So in some ways, Gareth was a casualty of the era he was born into. Today, our attitudes towards sexual abuse, victims and perpetrators are very different. Or at least we think they are.

The idea that a paedophile rights activist would be given a platform like this today was just unthinkable. So in some ways, Gareth was a casualty of the era he was born into. Today, our attitudes towards sexual abuse, victims and perpetrators are very different. Or at least we think they are.

This is when we come to the second act, what's been happening in the last few years since Gareth started his journey towards justice. The question I'm asking now is, could it be that Gareth is still a casualty of that time? Because what he suspects is that most teachers didn't speak up back then and that they're still keeping the truth hidden today. Most teachers, but not everyone.

This is when we come to the second act, what's been happening in the last few years since Gareth started his journey towards justice. The question I'm asking now is, could it be that Gareth is still a casualty of that time? Because what he suspects is that most teachers didn't speak up back then and that they're still keeping the truth hidden today. Most teachers, but not everyone.