Chris Robinson

They're just fucking people, too.

But part of the other part of adventure and the other part of being interesting and like new wave theater, my mom's like, they all look like mental patients just like you.

You know, like, great.

But was to go to downtown Atlanta in the 80s was dangerous, too.

You know, during the crack epidemic.

Yeah.

It was a violent place.

And we were, you know, obviously we were white kids from the suburbs traversing like this urban place to get into these little underground clubs to see these bands.

that added to it, you know what I mean?

And just the aesthetic, you know what I mean?

I still am an obsessive, influenced by the beat writers and beat culture.

And so for me, like, you know,

Jack Kerouac isn't writing about the suburbs.

He's writing about Mexico City or whatever.

You know what I mean?

Gregory Corso or Allen Ginsberg, all these poets and people are writing about all these experiences that don't seem to be happening in a neighborhood where they call the houses a five, four, and a door.

You know what I mean?

So a certain angst is...

Let's get the fuck out of here.

But you know what's weird about that?