Chris Ryan

There is a story,

lesser version of this show that is like what do you mean the mayor's wife you know like from like we're piecing together all this stuff and this is so confident in the moves it's pulling and the characters it's developed that they can have that kind of like down in the down in the faders I agree with you and I think there's confidence across the board like with their you know something that Rob and I are tracking in our coverage is like

Tell me about it.

It's comedy month of rewatchables.

Did you see Katie Dippold on Script Notes?

Script Notes, yeah.

And so this is John August and Craig Mazin's podcast where they talk a lot about like the very fine details of like screenwriting and production.

And Mazin is just like, I am in awe of this show.

Like you guys, do you know how hard it is to shoot that much at night?

Do you know how hard it is to like get your production design team to make the teeth game?

And it's going to be a one second throwaway joke, but it's like...

And I know from talking to Andy, how hard that stuff is.

Like when he was working on Briarpatch and he was like, yeah, like I want, like he was like, we wanted to do this beer label on our beer bottles, but we couldn't.

So we had to do, you know, it's like, and he's like, and that took like a week, a week of like cumulative meetings about this beer bottle.

That's going to be in the back of a scene.

And to see it get like, I'm picking up on those little things.

And it's just,

it's encapsulated in the Chris Fleming performance in this most recent episode to speak to your point about obvious joke and throwaway joke.

Where, I mean, the funniest thing that I've seen this year is him being like, just don't look at a mirror.

And then he closes the door and it's a full door mirror.