Chris Ryan

Like, she has, like, that kind of, like, I know you're watching me and this is a break from this show's reality.

Yes.

But I'm going to be consistent with the way Matthew Rhys reacts to things on the island as well, even though it's 300 years apart.

How did they do that?

I don't know.

When they were digging him up at the end of... I think at the end of Art History, they start digging him up?

Yep.

I was like, that was cool.

And I'm sure they're digging him up to get the necklace, right?

Or something, you know?

Oh my gosh, yeah.

That's not what they did.

And this is comic screenwriting that is being applied to...

a sort of chamber horror drama.

where it's like, what if he was still alive in that box?

And then what if Hamish Linklater was just on this show for an episode?

And what if instead of being unfrozen caveman lawyer who's freaking out about there being electricity and stuff, he's actually like, I've decided I need to die because I've been tortured for hundreds of years.

And then he's like, actually, I kind of want to live.

And Patricia is rattled and Wick has already cut his hand trying to open... Like, there has already been all this stuff happening while Tom is like, I've been asleep for a day.

It's funnier to have them be like, don't open that.