Chris Ryan

They have like a whole vertical there where it's like obsession is in session.

And it's like, not only is it a bunch of originals, but they've curated all these like movies that they fit into this aesthetic that,

I wonder whether or not they'll continue to do stuff like that.

And Peter Freelander, you know, who we remember from Netflix, is in charge over there now.

But, like, it'll be interesting to see if that streamer in particular becomes less about release dates and more about, like, centers of interest, verticals, basically.

I mean, Dutton's doing very well.

I think he's going to finish out a couple of shows, but yes.

For sure.

The Terminalist and Reacher and Jack Ryan and like dad stuff.

They just want to get terminalists closer to midterms.

Oh, yeah.

I just wonder, this is probably a topic for a different show, but I wonder if in... I know that when we've talked to Casey Bloys, when Casey came on the show, he talked about how he was like, I'm on spring of 28.

I'm planning out... HBO has that thing where there's this baton pass from...

one show to the other over the course of the year.

They try to do that, yeah.

There's usually, like, a couple of weeks of, like, docs or event programming or whatever.

But, you know, you usually have, like, a Sunday night, like, show to hang your laundry on.

And I just wonder whether or not as people increasingly find themselves detached from the cable bundle and also watching things almost entirely on their own schedule and entirely up to their own tastes in the same way that, like,

I know Drake put three albums out last week, but in some ways I don't feel like that happened, you know, because in my algorithm, it's just not a huge deal.

Do you basically get away from the release schedule as a paradigm for television and make it more about like what we want is to have stuff there so that when people have found a vibe that they like, they can continue to watch things.