Chris Ryan

You know, the thing that I think I was most nervous about over the last couple of years when I would watch specifically TV, but I think it was starting to invade movies.

Like I would, I would even not, I enjoyed this movie, but Anyone But You is like a good example of this where it's like drone shot scene doesn't last more than 90 seconds, like five needle drops every two minutes.

Like there is like a ADHD style of filmmaking that I was like, I just don't know if I'm going to be able to hang with this.

And I saw it a lot in TV.

You're seeing a lot of, like, if something doesn't happen in the first three pages of a script, it gets thrown in the trash.

Again, stuff to the gills with music.

Scenes don't last that long.

And I was really worried that the sort of language and almost the grammar of movies was getting broken over the course of people watching all this short-form video stuff.

And so to come across somebody who... And to come across teenagers who are like, I actually like watching 40 minutes of...

of a foggy highway while a screwed and chopped version of Brian Adams' Run Do You plays.

I'm like, you're watching fucking Stan Brakhage.

Like, this is incredible.

And so that is actually also in the mix.

If we can introduce, like, some real, like,

I am.

Yeah.

It'd be really, that'd be crazy if you had like an Arrakis back rooms.

Where Atreides is from?

I forget the name.

Yeah.