Chris Ryan

Yeah, for Andor, it's very specific because we didn't have the pre-existing, even if it was like in the press notes, you didn't really understand how it was going to feel to do.

It's the three episodes and then there's going to be a time jump and a location change and a character ensemble change.

With Fargo, I remember feeling like,

so cynical about the TV project in general, you know, and then by season two, just being like, this is actually like an incredible proof of concept that TV can do stuff.

That's just truly, truly remarkable when it comes to adaptation and riffing.

I couldn't decide what my Watchmen run was.

You put this down, but I knew it was in there and I think you nailed it.

But this is another good example of like, I know it was in the middle for me somewhere, but I think you're going towards the ending, right?

That's like half the season.

It's really cool that when, because if you ever listened to, Damon was on House of R, Damon Lindelof went on House of R. It was an awesome, awesome podcast.

Now being aggregated to death, but that's okay.

But I still kind of freak out.

Like, sometimes I'll be talking to him and I'll just be like, God damn, dog.

I know.

I know.

Thank you so much for doing this.

So was, if I was like, what's the three best episode run in Lost?

Does, is there a run that comes?

Is it,

Is it season 3, 17 through 20, which culminates with We Have to Go Back?