Chris Tester

then I don't trust AI to be able to do that because it's still fundamentally a copy of a copy of a copy and it's predicting going on what's been based before and people's, you know, it's the median. It's the road that's right in the middle.

then I don't trust AI to be able to do that because it's still fundamentally a copy of a copy of a copy and it's predicting going on what's been based before and people's, you know, it's the median. It's the road that's right in the middle.

Whereas, sure, I can give you a really bad choice on lines two or three, but there'll be a bold choice that's out there if that's been kind of like discussed and my whole job is to kind of surprise you and myself. By, oh, actually, that moment could work in a completely different way. Oh, great. Fantastic. Now we're actually learning something.

Whereas, sure, I can give you a really bad choice on lines two or three, but there'll be a bold choice that's out there if that's been kind of like discussed and my whole job is to kind of surprise you and myself. By, oh, actually, that moment could work in a completely different way. Oh, great. Fantastic. Now we're actually learning something.

Whereas, sure, I can give you a really bad choice on lines two or three, but there'll be a bold choice that's out there if that's been kind of like discussed and my whole job is to kind of surprise you and myself. By, oh, actually, that moment could work in a completely different way. Oh, great. Fantastic. Now we're actually learning something.

And it's greater than the sum of its parts, as opposed to only ever as good as the one person.

And it's greater than the sum of its parts, as opposed to only ever as good as the one person.

And it's greater than the sum of its parts, as opposed to only ever as good as the one person.

There's no discovery. Yeah, no, exactly. I'm not saying that every single recording session that I do, I definitely, you know, blow a director's ears off.

There's no discovery. Yeah, no, exactly. I'm not saying that every single recording session that I do, I definitely, you know, blow a director's ears off.

There's no discovery. Yeah, no, exactly. I'm not saying that every single recording session that I do, I definitely, you know, blow a director's ears off.

What are you talking about? But no, it's fantastic to have the biggest compliment is when someone says, like, I never imagined it was going to be like that, but it works. And it works in a different way because, you know, it's filtered through my experiences and all of those different kind of things. So it's that synthesis, you know, that meeting point. So that's when I think it becomes exciting.

What are you talking about? But no, it's fantastic to have the biggest compliment is when someone says, like, I never imagined it was going to be like that, but it works. And it works in a different way because, you know, it's filtered through my experiences and all of those different kind of things. So it's that synthesis, you know, that meeting point. So that's when I think it becomes exciting.

What are you talking about? But no, it's fantastic to have the biggest compliment is when someone says, like, I never imagined it was going to be like that, but it works. And it works in a different way because, you know, it's filtered through my experiences and all of those different kind of things. So it's that synthesis, you know, that meeting point. So that's when I think it becomes exciting.

And I don't, and I don't know how much of a, this is more in terms of like our, after we've played the game, but that whole thing of like our feeling about the media, Uh, so for example, you know, the actor who played Arthur Morgan, who I've completely blinded.

And I don't, and I don't know how much of a, this is more in terms of like our, after we've played the game, but that whole thing of like our feeling about the media, Uh, so for example, you know, the actor who played Arthur Morgan, who I've completely blinded.

And I don't, and I don't know how much of a, this is more in terms of like our, after we've played the game, but that whole thing of like our feeling about the media, Uh, so for example, you know, the actor who played Arthur Morgan, who I've completely blinded.

Yeah, exactly. Yeah. Yeah. Yeah. But you know, like his whole process and how he's spoken about the role and his approach to the role and all of that kind of stuff. is part of the experience of that game. It's going into that Roger, whatever his name is. Yeah, exactly. You know, so delving in kind of behind the scenes in his process and what made Arthur to him and blah, blah, blah.

Yeah, exactly. Yeah. Yeah. Yeah. But you know, like his whole process and how he's spoken about the role and his approach to the role and all of that kind of stuff. is part of the experience of that game. It's going into that Roger, whatever his name is. Yeah, exactly. You know, so delving in kind of behind the scenes in his process and what made Arthur to him and blah, blah, blah.

Yeah, exactly. Yeah. Yeah. Yeah. But you know, like his whole process and how he's spoken about the role and his approach to the role and all of that kind of stuff. is part of the experience of that game. It's going into that Roger, whatever his name is. Yeah, exactly. You know, so delving in kind of behind the scenes in his process and what made Arthur to him and blah, blah, blah.