Christine Cornell

Thank you very much.

Thank you very much.

It's what I do, my dear. So tell us about it. Yeah. No, I adore it. You know, people are fascinating. The stories are fascinating. It's always a challenge. And when you're lucky, you make art. And at the very least, you give them what they need to tell the story, you know?

It's what I do, my dear. So tell us about it. Yeah. No, I adore it. You know, people are fascinating. The stories are fascinating. It's always a challenge. And when you're lucky, you make art. And at the very least, you give them what they need to tell the story, you know?

Yeah, no traffic court.

Yeah, no traffic court.

Nope, nope.

Nope, nope.

Well, since I've been doing it for 50 years, you know, there's all the Mafia trials, you know, John Gotti and Vinnie the Chin Gigante was a very interesting character. And then there was Leona and Martha and Imelda Marcos, you know, all the queens.

Well, since I've been doing it for 50 years, you know, there's all the Mafia trials, you know, John Gotti and Vinnie the Chin Gigante was a very interesting character. And then there was Leona and Martha and Imelda Marcos, you know, all the queens.

Yes.

Yes.

It's both things. You know, you want to have an accurate drawing that really resembles them and you want to capture a little bit of the dynamic of the courtroom. You know, you can't help but feel that there was a tension between P. Diddy and, you know, Cassie. I could see it on her, you know, because, you know, she held her own, but she wept a little.

It's both things. You know, you want to have an accurate drawing that really resembles them and you want to capture a little bit of the dynamic of the courtroom. You know, you can't help but feel that there was a tension between P. Diddy and, you know, Cassie. I could see it on her, you know, because, you know, she held her own, but she wept a little.

And Diddy, of course, is fighting for his life. So, you know, he's in warrior mode.

And Diddy, of course, is fighting for his life. So, you know, he's in warrior mode.

Sure.

Sure.

three to five or six. After two weeks, I counted that I'd done 39 drawings. Okay. And I haven't added up It's next week, but it's, you know, I'm doing a lot.

three to five or six. After two weeks, I counted that I'd done 39 drawings. Okay. And I haven't added up It's next week, but it's, you know, I'm doing a lot.

Right.

Right.

I think he's been working out a ton. Okay. He's got a very broad back. He looks solid. Solid, okay. Yeah. And then, of course, everyone's fascinated that he can't get hair dye. Is he all gray then? Nope. He's salt and pepper on the sides, a little whiter on top, and his little tiny goatee is very white. Mm-hmm. Mm-hmm.

I think he's been working out a ton. Okay. He's got a very broad back. He looks solid. Solid, okay. Yeah. And then, of course, everyone's fascinated that he can't get hair dye. Is he all gray then? Nope. He's salt and pepper on the sides, a little whiter on top, and his little tiny goatee is very white. Mm-hmm. Mm-hmm.

I've done very little of it. For the most part, I get a lot of affirmation, you know? Puffy Combs' mom is sitting behind me, and she tapped me on the shoulder and gave me a thumbs up. She likes the way I'm drawing her son. Really? Yeah. And I said, well, ma'am, do you mind if I draw you? And she right away started posing for me.

I've done very little of it. For the most part, I get a lot of affirmation, you know? Puffy Combs' mom is sitting behind me, and she tapped me on the shoulder and gave me a thumbs up. She likes the way I'm drawing her son. Really? Yeah. And I said, well, ma'am, do you mind if I draw you? And she right away started posing for me.

Sometimes, yeah.

Sometimes, yeah.

You know, I was looking at Puffy on the first day of trial with my binoculars up.

You know, I was looking at Puffy on the first day of trial with my binoculars up.

Yes, ma'am.

Yes, ma'am.

And I will use them even if somebody is not sitting terribly far away from me because I want to see as much as I can see. So anyway, I had my binoculars on him and I see him looking straight at me. So it sort of feels like a social faux pas. I put him down like almost comically quickly and he went...

And I will use them even if somebody is not sitting terribly far away from me because I want to see as much as I can see. So anyway, I had my binoculars on him and I see him looking straight at me. So it sort of feels like a social faux pas. I put him down like almost comically quickly and he went...

Thank you very much.

It's what I do, my dear. So tell us about it. Yeah. No, I adore it. You know, people are fascinating. The stories are fascinating. It's always a challenge. And when you're lucky, you make art. And at the very least, you give them what they need to tell the story, you know?

Yeah, no traffic court.

Nope, nope.

Well, since I've been doing it for 50 years, you know, there's all the Mafia trials, you know, John Gotti and Vinnie the Chin Gigante was a very interesting character. And then there was Leona and Martha and Imelda Marcos, you know, all the queens.

Yes.

It's both things. You know, you want to have an accurate drawing that really resembles them and you want to capture a little bit of the dynamic of the courtroom. You know, you can't help but feel that there was a tension between P. Diddy and, you know, Cassie. I could see it on her, you know, because, you know, she held her own, but she wept a little.

And Diddy, of course, is fighting for his life. So, you know, he's in warrior mode.

Sure.

three to five or six. After two weeks, I counted that I'd done 39 drawings. Okay. And I haven't added up It's next week, but it's, you know, I'm doing a lot.

Right.

I think he's been working out a ton. Okay. He's got a very broad back. He looks solid. Solid, okay. Yeah. And then, of course, everyone's fascinated that he can't get hair dye. Is he all gray then? Nope. He's salt and pepper on the sides, a little whiter on top, and his little tiny goatee is very white. Mm-hmm. Mm-hmm.

I've done very little of it. For the most part, I get a lot of affirmation, you know? Puffy Combs' mom is sitting behind me, and she tapped me on the shoulder and gave me a thumbs up. She likes the way I'm drawing her son. Really? Yeah. And I said, well, ma'am, do you mind if I draw you? And she right away started posing for me.

Sometimes, yeah.

You know, I was looking at Puffy on the first day of trial with my binoculars up.

Yes, ma'am.

And I will use them even if somebody is not sitting terribly far away from me because I want to see as much as I can see. So anyway, I had my binoculars on him and I see him looking straight at me. So it sort of feels like a social faux pas. I put him down like almost comically quickly and he went...