Christoph Waltz

I wanted to find out what's in Quentin's script.

He's created these characters, and he made them clash against each other, and it all comes from him.

So I thought, why would I want to impose my little bit of,

in the form of sort of gauche improvisation.

I consider it 100% congruent.

Really?

Yes.

Well, you know, there are little adjustments.

Yes, of course.

When you see it play and when you run the movie, then you might discover a few things.

That's a normal process of filmmaking.

But everything there is on the screen is like that on the page.

Banging away at the TV screen, the TV set.

The cabin scene we had split in the location bit, which was, I think, a week.

And then some, a few days in the studio afterwards.

No, we did interior there on location too, but there were different shots that you...

various shots that you could only do in the studio, like overhead and more complicated things and stuff where the lighting was a bit more difficult.

Yeah, there were some special effects and things like that.

Yeah, exactly.

All of that was done in the studio because it's easier done in the studio.