Christoph Waltz

And I mean that in all seriousness.

I considered my job to supply the material for Quentin's edit and, you know, just sort of be the agent, the go-between between what he wrote and the finished movie.

That's a fantastic way of doing it, not just with Quentin, but with Quentin it's worthwhile.

If you don't work with Quentin, you might run into a problem, you know.

Maybe that's... I don't know.

One of those things that's just... Like people with Tourette's learn to sort of compensate by making noises over there.

Yeah, just a quick grunt.

Hold on.

I'm really grateful, and if... That's what I mean.

It's all I need to do, by all means.

Yeah, that's about it.

To tell you the truth, I wouldn't mind one bit.

Yeah, no, I don't.

There are projects that I don't talk about because I want them more or less done before I talk about them.

Yes.

Well, yeah, show that range.

It's not so much as, you know, it's along the lines of what we were talking about before.

Not so much showing the range, but I would like to exercise the range, you know, and employ the range because that's where I get my fun.

And then, you know, inevitably, yes, it would result in showing it.

But I'm really interested in doing different stuff.