Christoph Waltz

So I read all the 700 pages, and at first I couldn't quite take it in.

It was a bit too much, and I'm a bit too conventional.

So maybe it was 165 or something like that.

I don't know.

So it was just from my system a bit much to digest.

Maybe because I kind of sensed how much there is in there.

I didn't just consume the thing and say, well, I like the story.

So what I did was I went back to review all Quentin's movies in order, starting with Reservoir Dogs, and then I watched Pulp Fiction, and then, you know, as they go on, Jackie Brown, Kill Bill, blah, blah.

And added Inglourious Bastards.

as a reading to myself.

That helped me enormously.

And that's when I discovered this, what I just mentioned about Death Proof before.

We're talking about all these things at the same time.

You don't approach a Tarantino script or movie just from one angle because you're going to miss out.

So I finally go and meet him after, you know, doubting that this is for real several times over and the others reassuring me that no, it is meant as the real thing.

I go and meet with Quentin and Lauren Spindo is there too and expect, you know, this whole, you know, a room rigged with equipment and...

Nothing.

Two gentlemen, you know, sitting there across the table from me, conversing in a very civilized manner.

No, no.

And you know what?