Chuck

You know, it'd be funny as if you went to the website and it was like one of those early aughts. It's like black background with like shaking pink letters and it's got the spin doctors playing in the background.

You know, it'd be funny as if you went to the website and it was like one of those early aughts. It's like black background with like shaking pink letters and it's got the spin doctors playing in the background.

You know, it'd be funny as if you went to the website and it was like one of those early aughts. It's like black background with like shaking pink letters and it's got the spin doctors playing in the background.

So that went mainstream in the 1950s because of a book. It was a very popular detective novel called A Daughter of Time, in which they reimagine the disappearance of the two princes as a modern murder mystery where Scotland Yard gets involved. And Scott Lanyard says Henry VII was the guy who murdered these two boys. It wasn't Richard III. It was a very big book, a bestseller, in fact.

So that went mainstream in the 1950s because of a book. It was a very popular detective novel called A Daughter of Time, in which they reimagine the disappearance of the two princes as a modern murder mystery where Scotland Yard gets involved. And Scott Lanyard says Henry VII was the guy who murdered these two boys. It wasn't Richard III. It was a very big book, a bestseller, in fact.

So that went mainstream in the 1950s because of a book. It was a very popular detective novel called A Daughter of Time, in which they reimagine the disappearance of the two princes as a modern murder mystery where Scotland Yard gets involved. And Scott Lanyard says Henry VII was the guy who murdered these two boys. It wasn't Richard III. It was a very big book, a bestseller, in fact.

And it kind of helped shape the narrative starting or reshape the narrative, I guess, starting in the 1950s by saying, stick it, Shakespeare.

And it kind of helped shape the narrative starting or reshape the narrative, I guess, starting in the 1950s by saying, stick it, Shakespeare.

And it kind of helped shape the narrative starting or reshape the narrative, I guess, starting in the 1950s by saying, stick it, Shakespeare.

Yeah, somewhat. The other interesting thing, and this is where, like, again, we sort of gave it away, but there was a mystery for a long time of what actually happened to Richard III. Was that body really buried? Was it tossed into the river? When a really well-balanced biography came out in the 1950s from Paul Murray Kindle,

Yeah, somewhat. The other interesting thing, and this is where, like, again, we sort of gave it away, but there was a mystery for a long time of what actually happened to Richard III. Was that body really buried? Was it tossed into the river? When a really well-balanced biography came out in the 1950s from Paul Murray Kindle,

Yeah, somewhat. The other interesting thing, and this is where, like, again, we sort of gave it away, but there was a mystery for a long time of what actually happened to Richard III. Was that body really buried? Was it tossed into the river? When a really well-balanced biography came out in the 1950s from Paul Murray Kindle,

called Richard the third a woman named Philippa Langley read it and got very interested she's a historian and a screenwriter obviously a Ricardian and she was like I want to figure out what happened to this body that's still the mystery of what happened to Richard the third and so I'm gonna get on the case and sort of mountain amateur which turned into you know sort of a professional investigation

called Richard the third a woman named Philippa Langley read it and got very interested she's a historian and a screenwriter obviously a Ricardian and she was like I want to figure out what happened to this body that's still the mystery of what happened to Richard the third and so I'm gonna get on the case and sort of mountain amateur which turned into you know sort of a professional investigation

called Richard the third a woman named Philippa Langley read it and got very interested she's a historian and a screenwriter obviously a Ricardian and she was like I want to figure out what happened to this body that's still the mystery of what happened to Richard the third and so I'm gonna get on the case and sort of mountain amateur which turned into you know sort of a professional investigation

Sniff them off the case.

Sniff them off the case.

Sniff them off the case.

It's always correct. That's the beauty of the phrase.

It's always correct. That's the beauty of the phrase.