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Stuff You Should Know
What Makes Disaster Films Great

A Hoffman.

Stuff You Should Know
What Makes Disaster Films Great

A Hoffman.

Stuff You Should Know
What Makes Disaster Films Great

We got to talk about Titanic. It's a disaster movie, but it's got so much story and romance. It's definitely a subgenre within it, I think. Bill Paxton was in that, too. Yeah. R.I.P., man. What a great guy.

Stuff You Should Know
What Makes Disaster Films Great

We got to talk about Titanic. It's a disaster movie, but it's got so much story and romance. It's definitely a subgenre within it, I think. Bill Paxton was in that, too. Yeah. R.I.P., man. What a great guy.

Stuff You Should Know
What Makes Disaster Films Great

We got to talk about Titanic. It's a disaster movie, but it's got so much story and romance. It's definitely a subgenre within it, I think. Bill Paxton was in that, too. Yeah. R.I.P., man. What a great guy.

Stuff You Should Know
What Makes Disaster Films Great

That was so sad.

Stuff You Should Know
What Makes Disaster Films Great

That was so sad.

Stuff You Should Know
What Makes Disaster Films Great

That was so sad.

Stuff You Should Know
What Makes Disaster Films Great

Yeah, that was a thing for a little while. I think I was still getting Premiere magazine at the time. And I remember they started writing about, you know, these productions being kind of out trying to outrace one another to get to the box office first, maybe to their disadvantage as a production. But very famously, the two biggest examples, I guess, for production.

Stuff You Should Know
What Makes Disaster Films Great

Yeah, that was a thing for a little while. I think I was still getting Premiere magazine at the time. And I remember they started writing about, you know, these productions being kind of out trying to outrace one another to get to the box office first, maybe to their disadvantage as a production. But very famously, the two biggest examples, I guess, for production.

Stuff You Should Know
What Makes Disaster Films Great

Yeah, that was a thing for a little while. I think I was still getting Premiere magazine at the time. And I remember they started writing about, you know, these productions being kind of out trying to outrace one another to get to the box office first, maybe to their disadvantage as a production. But very famously, the two biggest examples, I guess, for production.

Stuff You Should Know
What Makes Disaster Films Great

are Armageddon and Deep Impact about a meteor striking the earth, you know, to basically wipe out humanity.

Stuff You Should Know
What Makes Disaster Films Great

are Armageddon and Deep Impact about a meteor striking the earth, you know, to basically wipe out humanity.

Stuff You Should Know
What Makes Disaster Films Great

are Armageddon and Deep Impact about a meteor striking the earth, you know, to basically wipe out humanity.

Stuff You Should Know
What Makes Disaster Films Great

And then Dante's Peak and Volcano. Neither of those were that great.

Stuff You Should Know
What Makes Disaster Films Great

And then Dante's Peak and Volcano. Neither of those were that great.

Stuff You Should Know
What Makes Disaster Films Great

And then Dante's Peak and Volcano. Neither of those were that great.

Stuff You Should Know
What Makes Disaster Films Great

Yeah. And Anne Hesch.

Stuff You Should Know
What Makes Disaster Films Great

Yeah. And Anne Hesch.

Stuff You Should Know
What Makes Disaster Films Great

Yeah. And Anne Hesch.