Clare Dunne

And then like, I remember Sharon Horgan just like grabbing my leg onto the table and like digging her nails into my leg.

And I was just like this.

I'm going to act like I knew this was happening.

And he said, and he just, he was very real because he just said, it's going to be much harder to finance because she hasn't got any name.

It's going to take longer to make it.

And Philadelphia was like, I don't care.

She's the voice of this film and the voice of this woman.

And I was like sitting there going, shut up.

We just kind of was like, OK.

And then we went outside.

We all jumped around the street, obviously, for a while because Ed said, yeah, but we knew it was going to take a bit of work.

We were all jumping around.

Well, it was just weird because I felt I was going around like a complete fantasist for a while, which Dominic Stevens, the architect, warned me.

There is an aspect to being a creative person that has a spark, an idea, and you're making something and it doesn't exist yet.

And that you have to have this like insane amount of faith.

And he was like, unfortunately, for a while, that means that people think you're crazy.

But you have to just sort of go like, if it's a good idea, it's a good idea kind of thing.

And I was like, Jesus Christ, it's a bit borderline that, isn't it?

So, but at that moment then I kind of knew, OK, this thing's happening and that's good.

And it felt weird then because that would have been Christmas 2016 and we didn't shoot till April 2019.