Cody Schneider

Literally, that's one of the biggest ones. I'm so out of the game now, I don't even know like where kind of everybody goes. But if you go to YouTube and you search just like any type beat, right? There's gonna be thousands of these videos that come up. You can also bid on these keywords, Greg. So you can bid to like have your YouTube video show up as an ad for that type beat.

Literally, that's one of the biggest ones. I'm so out of the game now, I don't even know like where kind of everybody goes. But if you go to YouTube and you search just like any type beat, right? There's gonna be thousands of these videos that come up. You can also bid on these keywords, Greg. So you can bid to like have your YouTube video show up as an ad for that type beat.

Literally, that's one of the biggest ones. I'm so out of the game now, I don't even know like where kind of everybody goes. But if you go to YouTube and you search just like any type beat, right? There's gonna be thousands of these videos that come up. You can also bid on these keywords, Greg. So you can bid to like have your YouTube video show up as an ad for that type beat.

So from my understanding, it's just a funnel game then, right? Of like, you built out this, you know, whatever beat, this Kendrick type beat. do the ad on YouTube. It sends them to the YouTube video and then they literally can listen to the type beat there. They go to the link, they purchase it. That's the whole funnel that you're optimizing for. It's that whole thing. So typebeat.com...

So from my understanding, it's just a funnel game then, right? Of like, you built out this, you know, whatever beat, this Kendrick type beat. do the ad on YouTube. It sends them to the YouTube video and then they literally can listen to the type beat there. They go to the link, they purchase it. That's the whole funnel that you're optimizing for. It's that whole thing. So typebeat.com...

So from my understanding, it's just a funnel game then, right? Of like, you built out this, you know, whatever beat, this Kendrick type beat. do the ad on YouTube. It sends them to the YouTube video and then they literally can listen to the type beat there. They go to the link, they purchase it. That's the whole funnel that you're optimizing for. It's that whole thing. So typebeat.com...

Also, some of these producers, their YouTube channels have like, you know, 100,000 subs. And so every time that they do a drop, they're getting revenue, streaming revenue from like, this is actually a great business. If you want to do something in the creative space, like this is an unbelievable business for somebody because you're making money off of the actual streaming.

Also, some of these producers, their YouTube channels have like, you know, 100,000 subs. And so every time that they do a drop, they're getting revenue, streaming revenue from like, this is actually a great business. If you want to do something in the creative space, like this is an unbelievable business for somebody because you're making money off of the actual streaming.

Also, some of these producers, their YouTube channels have like, you know, 100,000 subs. And so every time that they do a drop, they're getting revenue, streaming revenue from like, this is actually a great business. If you want to do something in the creative space, like this is an unbelievable business for somebody because you're making money off of the actual streaming.

You're making money off of selling like the beats themselves. and off of the licensing. So it can be a recurring. So the licensing, how this is structured from like an economic standpoint is you typically like license the beat for like, for example, you buy it for a year for like $29. And all that means is that nobody else can use that beat during that period that you're licensing it.

You're making money off of selling like the beats themselves. and off of the licensing. So it can be a recurring. So the licensing, how this is structured from like an economic standpoint is you typically like license the beat for like, for example, you buy it for a year for like $29. And all that means is that nobody else can use that beat during that period that you're licensing it.

You're making money off of selling like the beats themselves. and off of the licensing. So it can be a recurring. So the licensing, how this is structured from like an economic standpoint is you typically like license the beat for like, for example, you buy it for a year for like $29. And all that means is that nobody else can use that beat during that period that you're licensing it.

You can also buy the rights to that beat, but it's a higher price, right? We'll say like, whatever, 295 instead of the 29. A lot of times what people do is they go and they'll buy like a batch of these beats, right? So they'll buy whatever, we'll say 10 of them. And then they go and they'll make tracks over all of them. And then one of those will actually go live into the public, right?

You can also buy the rights to that beat, but it's a higher price, right? We'll say like, whatever, 295 instead of the 29. A lot of times what people do is they go and they'll buy like a batch of these beats, right? So they'll buy whatever, we'll say 10 of them. And then they go and they'll make tracks over all of them. And then one of those will actually go live into the public, right?

You can also buy the rights to that beat, but it's a higher price, right? We'll say like, whatever, 295 instead of the 29. A lot of times what people do is they go and they'll buy like a batch of these beats, right? So they'll buy whatever, we'll say 10 of them. And then they go and they'll make tracks over all of them. And then one of those will actually go live into the public, right?

But it's just a numbers game anymore in the music industry, especially when it comes to like hip hop or stuff that's like less writing is occurring. It's more just like, you know...

But it's just a numbers game anymore in the music industry, especially when it comes to like hip hop or stuff that's like less writing is occurring. It's more just like, you know...

But it's just a numbers game anymore in the music industry, especially when it comes to like hip hop or stuff that's like less writing is occurring. It's more just like, you know...

ad lib you know it's happening in real time as they're as they're doing the recording like there's great videos talking about this with how the this industry has evolved into punching in and punching out right you basically are just punching in and like you do like you know one verse and then you know it'll be like a couplet or whatever and then it stops you go back and then you like in pro tools you're just doing this over and over again right and so that's how your whole track is basically being produced it's basically you punching in for every section

ad lib you know it's happening in real time as they're as they're doing the recording like there's great videos talking about this with how the this industry has evolved into punching in and punching out right you basically are just punching in and like you do like you know one verse and then you know it'll be like a couplet or whatever and then it stops you go back and then you like in pro tools you're just doing this over and over again right and so that's how your whole track is basically being produced it's basically you punching in for every section