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Cole Cuchna

πŸ‘€ Speaker
2214 total appearances
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Appearances Over Time

Podcast Appearances

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E9 - 'Human After All' & 'Alive 2007' by Daft Punk

Rather, this beat is from the song Oh Yeah off their debut, Homework.

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E9 - 'Human After All' & 'Alive 2007' by Daft Punk

Oh Yeah is one of the deepest cuts on homework.

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E9 - 'Human After All' & 'Alive 2007' by Daft Punk

To this day, it's the lowest stream song on the project.

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E9 - 'Human After All' & 'Alive 2007' by Daft Punk

In no ordinary world would this ever be played second in a setlist.

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E9 - 'Human After All' & 'Alive 2007' by Daft Punk

Hell, conventional logic would demand that it not be played at all.

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E9 - 'Human After All' & 'Alive 2007' by Daft Punk

Yet, when combined with the guitar chord of Robot Rock and preceded by that incredible build, Oh Yeah is transformed into a breathtaking musical moment that totally transcends its original form.

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E9 - 'Human After All' & 'Alive 2007' by Daft Punk

This recontextualization of Oh Yeah reveals the musical approach Daft Punk took to their entire set, where not a single one of their songs is played verbatim, as they appear on their albums.

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E9 - 'Human After All' & 'Alive 2007' by Daft Punk

Instead, they viewed their songs and the individual elements of those songs as modular units that can be combined to create entirely new compositions.

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E9 - 'Human After All' & 'Alive 2007' by Daft Punk

Thomann told Pitchfork in 2007, quote, We really tried to reinterpret every song so that they connect to each other.

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E9 - 'Human After All' & 'Alive 2007' by Daft Punk

We have always strongly felt there was a logical connection between our three albums, and it's great to see that people seem to realize that when they listen now to the live show, unquote.

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E9 - 'Human After All' & 'Alive 2007' by Daft Punk

Daft Punk create moment after moment using this modular approach to their catalog, creating surprising combinations that breathe new life into their tracks, be them hits, deep cuts, or often combinations of both.

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E9 - 'Human After All' & 'Alive 2007' by Daft Punk

Early into the set, they combine television rules the nation with crescendos, a completely counterintuitive pairing that somehow works to create an exhilarating crescendo.

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E9 - 'Human After All' & 'Alive 2007' by Daft Punk

Daft Punk also composed new original material to use alongside loops of their existing songs.

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E9 - 'Human After All' & 'Alive 2007' by Daft Punk

One of the most effective examples of this happens in the mashup of Around the World and Harder, Better, Faster, Stronger.

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E9 - 'Human After All' & 'Alive 2007' by Daft Punk

They begin with a fairly straightforward rendition of Around the World, giving the crowd a chance to latch on to the first true hit of the night.

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E9 - 'Human After All' & 'Alive 2007' by Daft Punk

The standard version of Around the World runs for just over a minute before Daft Punk begin to shift the arrangement, subtly introducing an original synth sequence played on a Moog synthesizer they kept inside the Pyramid.

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E9 - 'Human After All' & 'Alive 2007' by Daft Punk

This synth becomes the connective thread between Around the World and Harder, Better, Faster, Stronger.

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E9 - 'Human After All' & 'Alive 2007' by Daft Punk

Listen to how they pull back Around the World, hold on to that synth, and bring in the iconic vocoder from Harder, Better.

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E9 - 'Human After All' & 'Alive 2007' by Daft Punk

After establishing Harder Better into the mix, the remainder of the piece is a seamless fusion of the two iconic tracks, with that synth acting as a constant anchor, allowing them to move effortlessly between Around the World one moment, and Harder Better Faster Stronger the next.

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E9 - 'Human After All' & 'Alive 2007' by Daft Punk

This piece comes to a dramatic climax at the end where Daft Punk looped the opening of Harder, Better, Faster, Stronger