Cole Cuchna
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Appearances Over Time
Podcast Appearances
Lyrically, this completes the full line, work it, make it, do it, makes us, harder, better, faster, stronger.
This is a kind of Montric feedback loop, where work leads to improvement, improvement leads to efficiency, and efficiency leads to increased production.
Each cycle reinforces the next, a continual wheel of quote-unquote progress.
And melodically, these vocal phrases evolve slightly from the first.
Instead of each phrase getting a single note, each two-syllable word now gets two notes.
As you just heard, the overall shape of the melodic line is descending.
It goes lower and lower.
This contrasts the first melodic line, which was ascending.
Together, they create a pretty satisfying arc.
The first phrase rises, the second phrase falls.
So just as the two parts are connected lyrically, work it, make it, do it, makes us, harder, better, faster, stronger, they're also connected melodically.
We'll keep this in mind as we continue to progress throughout the song.
Musically, this section mirrors the first, but the lyrics become even more fragmented, leaning further into that primitive robotic quality, like the early attempts at making machines speak.
It says, It's not entirely coherent, but the general idea comes through.
Working hour after hour, pushing toward a point where the work is finally done.
At this point in the narrative, it hints at a kind of end goal, that all this striving for efficiency, this drive to become harder, better, faster, stronger, is leading somewhere.
The implication seems to be that if we become optimized enough, if we work hard and efficiently enough, work itself will one day become obsolete.
This is the unstated, invisible goal behind our drive for quote-unquote progress, an idea Daft Punk will return to later in the song.
But first, they do something very cool musically, and to understand how, we have to notice something about where exactly these lyrical fragments have been placed within each measure.
Harder, Better, Faster, Stronger is in 4-4 time, meaning there are four quarter notes per measure.